whom and how much. This may be the hot topic among the new artists but I admit
for an old artist like me after a couple of hours it became quite boring conversation.
That brings me to the issue of the events and spectacles that the curators produce
or edit, if you wish. The Biennials.
Let me first run by you the results of my google search for “the theme of the
biennale”:
Disparities and Deformations: Our Grotesque
Dreams and Conflicts: The Dictatorship of the Viewer
Think with the senses, feel with the mind
Longing and Belonging: From the Faraway Nearby
Conceal/Reveal
Communication and Text
On Reason and Emotion
The Gothic & Space
Past, Present, Future
Consciousness of the Here and Now
Origins, Originality + Beyond
Private Symbol: Social Metaphor
Trade Routes: History and Geography
Dialogues Between Civilizations
ORIENTATION
FOOTNOTES on Geopolitics, Market and Amnesia
Shanghai Spirit: A Special Modernity
92 SESSION 3 / 3. OTURUM / ERDA⁄ AKSEL
epey s›k›c› hale geliyor.
Bu da beni, küratörlerin üretticurrency1i veya -dilerseniz edit etticurrency1i/düzenledicurrency1i diyelim-
etkinlikler ve gösteriler konusuna getiriyor. Bienaller.
Size öncelikle “bienallerin temas›” anahtar kavram›yla google’da yapt›rd›currency1›m aratma
sonuçlar›n› göstereyim:
Farkl›l›klar ve Bozunumlar: Grotesklicurrency1imiz
Hayaller ve Çeliflkiler: ‹zleyicinin Diktatörlücurrency1ü
Duyular›nla düflün, akl›nla duy
Özlem ve Ait Olma: Uzaktaki Yak›ndan
Sakla/Göster
‹letiflim ve Metin
Mant›k ve Duygu üzerine
Gotik ve Mekan
Geçmifl, Bugün, Gelecek
Burada ve fiimdinin Bilinci
Kökenler, Özgünlük + Ötesi
Özel Simge: Sosyal Ecurrency1retileme
Ticaret Yollar›: Tarih ve Cocurrency1rafya
Uygarl›klar aras› Diyaloglar
Oryantasyonlar
Jeopolitik, Pazar ve Bellek Yitimi üzerine D‹PNOTLAR
fiangay Ruhu: Özel bir Modernite
AT‹NA’y› YIKIN/YOKED‹N
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60 |
Page 61 |
Page 62 |
Page 63 |
Page 64 |
Page 65 |
Page 66 |
Page 67 |
Page 68 |
Page 69 |
Page 70 |
Page 71 |
Page 72 |
Page 73 |
Page 74 |
Page 75 |
Page 76 |
Page 77 |
Page 78 |
Page 79 |
Page 80 |
Page 81 |
Page 82 |
Page 83 |
Page 84 |
Page 85 |
Page 86 |
Page 87 |
Page 88 |
Page 89 |
Page 90 |
Page 91 |
Page 92 |
Page 93 |
Page 94 |
Page 95 |
Page 96 |
Page 97 |
Page 98 |
Page 99 |
Page 100 |
Page 101 |
Page 102 |
Page 103 |
Page 104 |
Page 105 |
Page 106 |
Page 107 |
Page 108 |
Page 109 |
Page 110 |
Page 111 |
Page 112 |
Page 113 |
Page 114 |
Page 115 |
Page 116 |
Page 117 |
Page 118 |
Page 119