search.noResults

search.searching

saml.title
dataCollection.invalidEmail
note.createNoteMessage

search.noResults

search.searching

orderForm.title

orderForm.productCode
orderForm.description
orderForm.quantity
orderForm.itemPrice
orderForm.price
orderForm.totalPrice
orderForm.deliveryDetails.billingAddress
orderForm.deliveryDetails.deliveryAddress
orderForm.noItems
RHEOLOGY MODIFIERS 113


(T0, immediately after shaking)


Start After 24 hours After 1 week


A


B


A


B


A


B


A


B


Figure 8: Shimmering oil formulations with and without the ISD gel. (A) Control formulation without the ISD gel, showing pigment settling and a compacted caking layer at the bottom of the flask. (B) Formulation containing the ISD gel, remaining homogeneous with no visible pigment compaction


pigment dispersion during application and drying. By preventing pigment migration and supporting a more cohesive film structure, hectorite organoclay gels promote higher pigment deposition, more even coverage, and a smoother visual finish. The thixotropic recovery of the hectorite- based network also contributes to film uniformity by allowing the formulation to flow under shear during application while rapidly rebuilding structure afterward, helping maintain pigment distribution as the film dries. These attributes translate directly to improved performance on the skin, helping avoid patchiness and ensuring a consistent, natural‑looking result.


Conclusion The hectorite-based organoclay gels demonstrate that a rheology modifier can address many of the core challenges inherent to colour cosmetics formulation development. These products must manage high pigment loads, deliver smooth and uniform application, maintain consistent colour payoff, and remain stable throughout their shelf life—all while meeting the elevated sensory and performance expectations of today’s beauty consumers. While their primary role is to thicken oil phases


and improve heat stability, the results presented in this article show that its benefits extend far beyond basic viscosity control. By enhancing pigment wetting, supporting fine


dispersion, building internal structure for particle suspension, increasing yield point, and promoting smooth, even film formation, hectorite organoclay gels directly address the formulation hurdles that often compromise colour uniformity, coverage, and stability. These multifunctional effects help prevent issues such as patchiness, streaking, settling, and inconsistent payoff, enabling formulators to create products that perform reliably across a wide range of formats - from solid to liquid formulations. The robustness of the hectorite-based network


also ensures reliable performance across typical manufacturing conditions, tolerating variations in shear, temperature, and processing order without compromising the final performance.


www.personalcaremagazine.com PCM


Figure 9: Liquid highlighter applied on a black Leneta card using a 100 µm film applicator. The formulation with the alkane gel forms a smooth, continuous film with uniform pigment distribution, whereas the control formulation without the alkane gel shows irregularities, pigment agglomeration, and uneven coverage


April 2026 PERSONAL CARE MAGAZINE


TABLE 7: COMPOSITION OF THE SHIMMERING OIL FORMULATION USED TO EVALUATE THE PIGMENT SUSPENSION AND ANTI-CAKING PERFORMANCE


w/w (%) Phase A Ingredient / INCI Isododecane ISD gel/Isododecane, Disteardimonium Hectorite, Glyceryl Oleate Caprylic/Capric Triglyceride


Limnanthes Alba (Meadowfoam) Seed Oil Crambe Abyssinica Seed Oil


Preservative/Phenoxyethanol, Ethylhexylglycerin B


Glitter pigment/Synthetic Fluorphlogopite, Titanium Dioxide (CI 77891), Iron Oxides (CI 77491)


Effect pigment/Mica, Titanium Dioxide (CI 77891), Iron Oxides (CI 77491) Alkane gel Test


Shimmering oil 38.00


14.00


25.00 10.00


10.00 0.50


0.50 2.00


Control


25.00 10.00


10.00 0.50


0.50 2.00


Control


Shimmering oil 52.00


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95  |  Page 96  |  Page 97  |  Page 98  |  Page 99  |  Page 100  |  Page 101  |  Page 102  |  Page 103  |  Page 104  |  Page 105  |  Page 106  |  Page 107  |  Page 108  |  Page 109  |  Page 110  |  Page 111  |  Page 112  |  Page 113  |  Page 114  |  Page 115  |  Page 116  |  Page 117  |  Page 118  |  Page 119  |  Page 120  |  Page 121  |  Page 122  |  Page 123  |  Page 124  |  Page 125  |  Page 126  |  Page 127  |  Page 128  |  Page 129  |  Page 130  |  Page 131  |  Page 132  |  Page 133  |  Page 134  |  Page 135  |  Page 136  |  Page 137  |  Page 138  |  Page 139  |  Page 140  |  Page 141  |  Page 142  |  Page 143  |  Page 144  |  Page 145  |  Page 146  |  Page 147  |  Page 148  |  Page 149  |  Page 150  |  Page 151  |  Page 152