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PNTG 779T Graduate Teaching Internship Students in this course undertake a teaching assign- ment under the supervision of a faculty member. Prerequisite(s): 15 graduate credit hours, good aca- demic standing.


PNTG 780 Special Topics in Painting This course provides an opportunity for students to focus on particular issues in the field or to study advanced techniques and processes. Faculty, course content and prerequisites vary each time the course is offered. The course may include lectures, discussions, individual projects and critiques, depending on the nature of the topic.


PNTG 790 Painting M.F.A. Thesis All painting M.F.A. students are required to develop and prepare an original exhibition, accompanied by a written component.


Political Science (Undergraduate)


POLS 100 Introduction to American Government This course introduces the fundamentals of Ameri- can government and politics. Topics include political institutions such as Congress, the presidency and the courts; the role of political parties, interest groups and public opinion; political practices such as voting, civil rights and liberties; and an examination of specific policies pursued by the federal government.


POLS 110 Contemporary Issues in American Politics This course highlights various contemporary social and political issues. Students are expected to investigate and evaluate arguments about current topics, such as reproductive rights, gun control, affirmative action, economic and environmental issues, welfare, education and health care policy.


POLS 120 Global Political Issues Students examine a variety of contemporary global issues in this course, with an emphasis on emerging trends that are changing our world. Students inves- tigate the linkages of a variety of economic, political and social issues from an international perspective reflecting a variety of points of view.


POLS 222 Campaigns and Elections This course explores issues associated with modern political campaigns within a broader American and political context. Particular attention is paid to the impact of money, media coverage, campaign strat- egy and tactics, the effect of campaigns on voters’ choice and electoral outcomes. Recent campaigns are explored in depth. Prerequisite(s): POLS 100.


Printmaking (Undergraduate)


PRMK 200 Introduction to Printmaking This studio course introduces basic printmaking pro- cesses and equipment with equal emphasis on concept and technique. Students are introduced to a variety of print media and methods, such as monotype, relief, intaglio and lithography, and various approaches to making and printing plates in each medium. Students are expected to develop an understanding of the medium and to learn good studio habits; safe and responsive handling of tools, materials and grounds; and the knowledge required for basic manipulation of the processes used in the production of a printed image. Prerequisite(s): DRAW 100.


PRMK 202 Introduction to Etching This introductory studio provides an introduction to etching and intaglio processes and the use of these processes to produce a creative graphic image. Students explore a variety of approaches to intaglio printmaking on different plate materials including zinc, copper and Plexiglas. Classes include demonstrations of all processes involved, discussion, and critique of both print content and technical competency. Students are expected to become familiar with the tools, media, processes and history of printmaking. Prerequisite(s): DRAW 100, DSGN 101.


PRMK 203 Introduction to Lithography This course introduces hand lithography including stone and metal plate processes. Drawing media


include litho crayon, litho pencil, tusche and ink wash, and the appropriate etching and printing techniques for each. Classes include discussion and critique of print content and concept together with technical skills involved in each phase of the lithography process. Prerequisite(s): DRAW 101, DSGN 100.


PRMK 204 Relief Printmaking This course introduces students to several approaches to relief printmaking and to techniques such as wood- cut, linocut, relief etching and wood engraving. Using additive and reductive processes, students work in black-and-white and in color, learning the regis- tration and printing of multiple blocks. Both tradi- tional and experimental approaches are encouraged. Prerequisite(s): DRAW 100, DSGN 100.


PRMK 205 Monotype/Mixed Processes This course investigates combined monotype tech- niques including both water-based and oil-based media. Registration and printing of black-and-white and color images are demonstrated. Over-printing, stenciling and transfer techniques are explored in both single- and multiple-plate processes. Students working at any level of printmaking, particularly those interested in applying their painting experience to the printed image, may develop their personal imagery by exploring the media involved. Prerequisite(s): DRAW 101, DSGN 100.


PRMK 238 Survey of Printmaking Students in this course are introduced to the rich and varied tradition of printmaking, including woodcuts, engravings, lithographs, silk screening, etchings and other graphic media. From the earliest eastern prints through 21st-century contemporary works on paper, students evaluate movements, trends and relevant developments in both fine art and commercial print- making and their effects on each other. Prerequisite(s): ARTH 110, ENGL 123.


PRMK 301 Intermediate Etching This course further explores intaglio printmaking with an emphasis on color work and strengthening print- ing skills. Students learn techniques for producing color prints using single and multiple plate processes, including hand coloring, à la poupée, and handmade separations. A balanced outcome between technical and conceptual development is stressed in discussions and critiques. Prerequisite(s): PRMK 202.


PRMK 306 Intermediate Lithography A further investigation of lithographic printmaking, this course emphasizes color work and strengthen- ing of printing skills. Students learn methods for producing color prints on stone and metal litho plate. Demonstrated techniques include transfer, mono- type combinations, and the registration and printing of multiple plates. Critiques stress the relationship between conceptual concerns and technical processes. Prerequisite(s): PRMK 203.


PRMK 308 Introduction to Letterpress and the Book Arts By means of traditional hand typesetting and historic book binding techniques, students experience the sequential nature of the printed page. Through a number of printing/publishing experiments and proj- ects, students gain an understanding of the history of printing type, book formats, and fundamental terminol- ogy; and become familiar with letterpress and other related equipment. Emphasis is placed on typographic design, beginning bookbinding techniques and port- folio construction. Printing techniques focus on relief printing, intaglio and in some cases include lithography. Prerequisite(s): PRMK 200 or PRMK 202 or PRMK 203.


PRMK 311 Serigraphy I In this course, students learn the basic technical skills of screenprinting and investigate the screen print process. They explore methods to link screenprint- ing procedures to the development of their personal work. The course covers the fine art and commercial applications of screenprinting in the contemporary


art world, including frame construction, registration, multiple color runs, stencil, drawing and digital output application. Prerequisite(s): DRAW 100, DSGN 101.


PRMK 317 Intermediate Letterpress and the Book Arts In the diverse mediums of the contemporary print world, letterpress and the book arts hold a unique area explored by all major artists during their careers. Stu- dents engage in sophisticated projects of bookbind- ing, glue-less stitching, and unique constructions that define this area of print. Emphasis is on the sequential design of the book pages and alternative possibilities for conceptualizing the artist book. Prerequisite(s): PRMK 308.


PRMK 320 Monotype Printmaking Traditionally offered as part of travel study program, this course provides students an opportunity to explore a mix of print processes that address a broad range of ideas, issues and aesthetics in the depiction and development of form. Such processes may be used by a variety of artists, including painters, design- ers and illustrators. Students may apply drawing or painting experience to the printed image by using the printmaking process to examine and depict a variety of functional forms in black and white and color. Prints incorporate sketches and photographs from local settings, including landscape and architectural forms, market items, furnishings and garden settings. Prerequisite(s): By permission of the department chair.


PRMK 322 Papermaking Utilizing traditional Western papermaking and historic book binding techniques as a foundation, students will explore the contemporary book arts world. Through a number of papermaking and binding projects stu- dents gain an understanding of the history of paper, book formats, fundamental terminology; and become familiar with papermaking and other related equip- ment. Emphasis is on paper production, beginning bookbinding techniques, artists’ books and, sculptural paper. Prerequisite(s): DRAW 100, DSGN 101.


PRMK 330 Intaglio Printmaking Traditionally offered as part of travel study program, this course is designed to take advantage of the inspiration of a particular location. Drawing on the rich historical traditions of the intaglio process, students explore etching as a means of recording the natural and built environments. Numerous styles are examined, as well as the various ways etching has been used to depict landscape and architecture. Students experi- ence a variety of approaches to intaglio printmaking on different plate materials including zinc, copper and Plexiglas. Work is done both on-site and from sketchbook drawings completed on field trips. Classes include demonstrations of all processes, discussion and critique of print content and technical competency. Prerequisite(s): By permission of the department chair.


PRMK 350 Special Topics in Printmaking The topic of this course varies from quarter to quar- ter. Each seminar focuses on various issues in the field of printmaking and allows students to pursue individual projects related to the topic of the course. Prerequisite(s): Vary according to topic.


PRMK 370 Print Media and Book Arts In the diverse mediums of the contemporary print world, letterpress and the book arts hold a unique area explored by all major artists during their careers. Stu- dents engage in sophisticated projects of bookbind- ing, glue-less stitching and unique constructions that define this area of print. Emphasis is on the sequential design of the book pages and alternative possibilities to conceptualizing the artist book. Prerequisite(s): PRMK 308.


PRMK 401 Photographic and Digital Applications for Printmaking This course addresses the possibilities that digital applications bring to printmaking. The course exam- ines methods for combining state-of-the-art digital technology with traditional print media including but not limited to intaglio and lithography. Demonstrations


310


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