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PHOT 764 Photographic Arts IV This self-directed seminar/critique course continues the Photographic Arts series. Prerequisite(s): PHOT 753.


PHOT 775 Photographic Arts V This self-directed seminar/critique course continues the Photographic Arts series. Prerequisite(s): PHOT 764.


PHOT 779F Graduate Field Internship Students in this course undertake a field assign- ment under the supervision of a faculty member. Prerequisite(s): 15 graduate credit hours, good aca- demic standing.


PHOT 779T Graduate Teaching Internship Students in this course undertake a teaching assign- ment under the supervision of a faculty member. Prerequisite(s): 15 graduate credit hours, good aca- demic standing.


PHOT 790 Photography M.F.A. Thesis All photography M.F.A. students must develop and prepare an original exhibition accompanied by a writ- ten component.


Physical Science (Undergraduate)


PHSC 101 Introduction to Physical Science This course is an introductory blend of many concepts in science for the art student with an emphasis on structure and application when appropriate. As the student investigates the concepts of the physical sci- ences, a new window is opened into the world they will shape, paint or design. Fundamental concepts in physics and chemistry that help guide their future manipulation of the world that surrounds them are studied and experienced. Exploring the earth and the volcanic forces that shape the continents, the sky with the most complex weather in the solar system and the stars above lead to a “greener” appreciation of this planet and hopefully inspire the artist. Prerequisite(s): MATH 100 or a score of 70 or greater on the mathemat- ics competency exam.


PHYS 201 Applied Physics This introductory level course is geared toward the needs of students in architecture. The course prepares students for technology courses in the major program and covers selected topics in the areas of mechanics, light, sound and electricity. Prerequisite(s): MATH 201.


Painting (Undergraduate)


PNTG 101 Painting Basics for the Non-major This course provides foundation in the practices and materials associated with painting, and prepares stu- dents to work in oil and water based media. Working from direct observation, students develop an under- standing of formal concerns as well as paint manipu- lation to produce strong representational paintings. Prerequisite(s): DRAW 100, DSGN 101.


PNTG 203 Oil-based Media Exploration This course explores versatile processes for planning and developing a visual idea using oil-based media. The class examines both traditional and contemporary applications of media, including under-painting, fat over lean paint application, glazing, scumbling, impasto and alla prima. Students construct and prepare sound painting supports for canvas and panel as well as an oil-primed, sized linen support, and are taught safe handling of solvents and mediums. Prerequisite(s): DSGN 101, DRAW 101.


PNTG 206 Water-based Media Exploration Students in this course explore versatile processes for planning and developing a visual idea using waterbased media, with emphasis on acrylic painting techniques. The class examines both traditional and contemporary applications of media, including wet- into- wet, dry-brush paint application, masking and alla prima. Students prepare archival painting supports for water-based media, including paper, canvas and panel. Prerequisite(s): DSGN 101, DRAW 101.


PNTG 207 Watercolor This course allows students with particular interests in the possibilities of watercolor to focus intensively on its expressive and depictive capacities. Prerequisite(s): PNTG 206.


PNTG 210 Color and the Painted Image This course reviews basic color theory and introduces more advanced theory and color issues applicable to oil painting. Students are expected to learn how to use color better as a language in their painting through the hands-on analysis of work that employs color as a primary agent. Prerequisite(s): PNTG 203 or PNTG 206.


PNTG 215 Still-life Painting With a focus on the conceptual, perceptual and techni- cal evolution of the depiction of objects in the history of painting, this course provides an overview of the still life in painting. While the course concentrates on issues specific to this genre, attention is also given to the role of technique and theory in the expression of the mas- ters and contemporary practitioners. Prerequisite(s): PNTG 203 or PNTG 206.


PNTG 302 Intermediate Painting Using a structure that alternates studio sessions with lessons about practical issues of visual documenta- tion, framing and other professional components, this course enables students to create work in a thematic series that develops their painting methods and per- sonal concepts. Prerequisite(s): PNTG 203, PNTG 206.


PNTG 310 Life Painting This course provides an overview of life painting, with a focus on the conceptual, perceptual and technical evolution of the human figure in the history of painting. While the course concentrates on issues specific to this genre, attention is also given to the role of tech- nique and theory in the expression of the masters and contemporary practitioners. Models are available for the entire quarter. Prerequisite(s): DRAW 200, PNTG 203 or PNTG 206.


PNTG 312 Mixed Media Using traditional and nontraditional materials, stu- dents in this course develop inventive experimental approaches to a variety of pictorial media, and examine how media, idea and composition relate. Students explore the boundaries between painting and sculpture when nontraditional materials are incorporated in col- lage and assemblage form. Prerequisite(s): PNTG 302.


PNTG 319 Painting Materials and Techniques This course provides extended exploration of one major traditional painting medium or method associ- ated either with a particular era or artist. Replication projects provide initial direct experience of the medium and method under investigation, prior to the creation of original work. Prerequisite(s): PNTG 203, PNTG 206.


PNTG 321 Portrait Painting With an examination of the conceptual, perceptual and technical evolution of portraiture in the history of painting, this course provides an excellent overview of portrait painting. While the course concentrates on issues specific to this genre, attention is also given to the role of technique and theory in the expression of the masters and contemporary practitioners. Models are available for the entire quarter. Prerequisite(s): PNTG 203 or PNTG 206.


PNTG 325 Narrative Painting This course introduces the historically complex role of the painter as narrator, concentrating on the balance of subject matter with aesthetic form. Students explore the unique pictorial requirements of narrative paint- ing, such depictions of the passage of time. Students also investigate categories of contemporary narrative painting. Prerequisite(s): PNTG 310.


PNTG 327 Advanced Oil Painting Using oil paint in both direct and indirect applications, students in this course advance and refine their artistic process and the formal aspects of their work. Students may work in a variety of modes on a variety of sur- faces. The work of both historical and contemporary practitioners is considered. Prerequisite(s): PNTG 203.


PNTG 328 Advanced Watercolor This course is designed for students with competent drawing skills who understand and are able to execute the rudiments of transparent watercolor techniques, such as flat wash, gradated wash and wet-in-wet. Students develop water media techniques, explore personal avenues of concept and work thematically. Prerequisite(s): PNTG 206 or PNTG 207.


PNTG 330 Large-format Painting Students in this course learn to address the challenges and formulate strategies associated with making large-scale studio paintings from preparatory materi- als and explore the techniques and methods required for making large-format paintings. Students critique examples of large-scale work from contemporary art. Prerequisite(s): PNTG 203 or PNTG 206, and PNTG 310.


PNTG 331 Landscape Painting This course provides an overview of landscape in painting, with a focus on the conceptual, perceptual and technical evolution of the landscape image in the history of painting. While the course concentrates on issues specific to this genre, attention is also given to the role of technique and theory in the expres- sion of the masters and contemporary practitioners. Prerequisite(s): PNTG 203 or PNTG 206.


PNTG 332 Advanced Portrait Painting Extending the technical base acquired in portrait paint- ing, students advance and refine their representational drawing and painting skills. While the course addresses advanced issues specific to this genre, attention is also given to the role of technique and theory in the expression of the masters and contemporary prac- titioners. Models are available for the entire quarter. Prerequisite(s): PNTG 321.


PNTG 333 Mural Painting This course introduces students to historical and contemporary approaches to mural painting, with an emphasis on the concepts and philosophies developed in the Mexican mural tradition. The course addresses materials, techniques, surface treatment, and archival issues relevant to mural painting. Studio practice is supplemented by lectures, films and on-site visits. Prerequisite(s): DRAW 101, DSGN 101.


PNTG 334 Chinese Painting This course introduces Chinese subjects and traditional painting techniques, where variation in ink, color, line and texture are all achieved by Chinese brushstroke. The philosophy and history of Chinese painting are addressed, helping students understand and develop the technique and concept of Chinese painting. Stu- dents are encouraged to combine Western and Eastern art to create their own personal work. Prerequisite(s): PNTG 203 or PNTG 206.


PNTG 340 Realist Painting Representing the subtlety and nuance of the variety of color, perspective and form observed in the world requires a diverse range of technical and conceptual skills necessary for creating realist paintings from observation. The development of these skills is the focus of this course and includes the creation of the illusion of depth; proportion; anatomy; control of texture and smoothness to create a convincing paint surface; and utilization of value, hue and intensity to convey a sense of light and form. Additionally students learn about issues in realist painting in the context other painting modes. Prerequisite(s): DRAW 200, PNTG 203.


PNTG 341 Painting: Developing a Sense of Place Designed to take advantage of experiences provided by a particular location, this course provides students the opportunity to visit historically or culturally sig- nificant sites in order to create a series of work in response to the site. Students determine the appro- priate materials and techniques necessary for their work. Prerequisite(s): DRAW 100, DSGN 100, DSGN 101.


PNTG 350 Special Topics in Painting The topic of this course varies from quarter to quar- ter. Each new version focuses on specific issues in


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