search.noResults

search.searching

dataCollection.invalidEmail
note.createNoteMessage

search.noResults

search.searching

orderForm.title

orderForm.productCode
orderForm.description
orderForm.quantity
orderForm.itemPrice
orderForm.price
orderForm.totalPrice
orderForm.deliveryDetails.billingAddress
orderForm.deliveryDetails.deliveryAddress
orderForm.noItems
TEXTURES 71


Texture benefits of natural and naturally-derived clay additives


n Kate Watermann, Christina Schenatzky, Lincy Gurusamy – Elementis, EMEA & Asia


Consumers around the globe want cosmetics and other personal care products that deliver unique sensory experiences when applied to their skin while also meeting high standards for performance and sustainability. Thus, innovating sustainable, natural and naturally-derived formulations that also deliver superior functionality presents both challenges and opportunities for personal care chemists. Natural-based clay ingredients are well- positioned to equip product formulators with the ability to meet or exceed consumer demands for natural and clean products that also feel great on the skin. Sourced from nature, clay-based


ingredients can create unique, transformative textures and sensory experiences while also delivering formula stability and ease of application. Formulations containing clay-based ingredients can apply easily without leaving a greasy film on the skin, and instead leaving a silky after-feel on the skin.


The role of clay-derived additives Hydrophilic clays have a significant, positive impact on formulation aesthetics and stability. The reason is that hydrophilic clays are natural clays that provide thixotropy to personal care and cosmetic products. Thixotropy is a characteristic flow behaviour where viscosity reduces as shear is applied and recovers once the shear is removed, allowing product to display desired application property as well as suspension


1000 100 10 1 0.1 0.01 0.001 0.01 0.1 Figure 1: Rheology of smectite clays. 1 Shear Rate (s-1


10 )


100 10000 100000


No Clay (Unstable)


0.5% BENTONE HydroclayTM


1100


1% BENTONE HydroclayTM


and product stability. Controlling the degree of thixotropy through these natural clays creates a system that thins upon the force of application and allows it to recover its lost viscosity once the application force


1100


3% BENTONE HydroclayTM


1100


5% BENTONE HydroclayTM


1100


Figure 2: Demonstration of Hydroclay levels. No Clay


November 2019


0.5% Competitor Magnesium Aluminum Silicate


0.5% BENTONE HydroclayTM


1100


is removed. This flow behaviour enhances the aesthetics of a cream on the skin, allows flawless application of nail polish and prevents antiperspirants from dripping. Hydrophilic clays, specifically, natural hectorite and magnesium aluminum silicate clays, are highly effective in building viscosity and providing suspension due to their superior yield value. Yield can be considered as an internal resistance to flow under stress. Viscosity could improve this internal resistance by reducing the rate of particle movement. However, a viscosity increase alone is not enough to maintain emulsion stability when it comes to coalescence of droplets from the internal phase. This is what differentiates natural hectorite and magnesium aluminum silicate clays from other rheology modifiers. These smectite clays provide viscosity, stability


PERSONAL CARE ASIA PACIFIC


Viscosity (Pas)


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95  |  Page 96  |  Page 97  |  Page 98  |  Page 99  |  Page 100  |  Page 101  |  Page 102  |  Page 103  |  Page 104  |  Page 105  |  Page 106  |  Page 107  |  Page 108  |  Page 109  |  Page 110  |  Page 111  |  Page 112  |  Page 113  |  Page 114  |  Page 115  |  Page 116  |  Page 117  |  Page 118  |  Page 119  |  Page 120