This page contains a Flash digital edition of a book.
Trans RINA, Vol 157, Part C1, Intl J Marine Design, Jan –Dec 2015


space. The coffee table area to the right has 16 places in tables of four for more intimate discussions without eating. There is a coffee and juice bar facing the round recessed lounge tables.


The technician's room concept, show in Figure 22, uses a smart wall to simulate views of nature as well as interactive media content. The minimalist de sign and the use of light wood and lighting make it appear spacious. The use of a Murphy bed in the design e nhances the design meaning making it feell like a small apartment luxury lounge, by enhancing the sense of space when the bed is stored.


3.6 (c) Meeting Room


Figure 21: Informal communal areas


The use of mood lighting shown in Figure 21, that draws you eye towards the informal communal areas. The reed and bamboo dividers reinforce the sense of privacy of the lounge beds. Where the coffee and juice bar serves as a cultural focal point where people can interact and meet. It also services all the areas. The use of acoustic baffles suspended from the ceiling as a lighting feature gives a sense of isolation at the bar rather that a loud acous space.


stic 3 .6 (b) Technician's Room Figure 23: View of meeting room


The meeting room concept is shown in Figure 23, where the acoustic absorbers on the ceiling have the smart wall as a focal point. The shape of the tables facilitates the viewing angles from all the chairs to ensure a clear view of the smart wall for all users. The use of an industrial style surface pattern provides sensory variability for the user. The continuous horizontal window provides views of the seascape. The integrated


technology at each seat combined with ma


tablet workstation individual


viewing screens provides the capability to work in small groups and individually, with the transition between the two modes of working facilitated by customised social media tools. The use of the smart wall facilitates virtual collaboration with a range of group sizes.


3.6 (d) Changing Room


The changing room proposal layout is shown in Figure 24. Entering fromthe right the drying facilities are on the left with the toilet to the rightt. This is followed by 3 changing benches with 2 integra hairdryers. Moving left there is


ated storage spaces and 2 s a whole body air drying


system at the entrance to a 4 cubical shower area.


Figure 24: GA of changing room Figure 22: Use of Murphy bed to adapt space


C-92


© 2015: The Royal Instittu


ution of Naval Architects


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95  |  Page 96  |  Page 97  |  Page 98  |  Page 99  |  Page 100  |  Page 101  |  Page 102  |  Page 103  |  Page 104  |  Page 105  |  Page 106  |  Page 107  |  Page 108  |  Page 109  |  Page 110  |  Page 111  |  Page 112  |  Page 113  |  Page 114  |  Page 115  |  Page 116  |  Page 117  |  Page 118  |  Page 119  |  Page 120  |  Page 121  |  Page 122  |  Page 123  |  Page 124  |  Page 125  |  Page 126  |  Page 127  |  Page 128  |  Page 129  |  Page 130  |  Page 131  |  Page 132  |  Page 133  |  Page 134  |  Page 135  |  Page 136  |  Page 137  |  Page 138  |  Page 139  |  Page 140  |  Page 141  |  Page 142  |  Page 143  |  Page 144  |  Page 145  |  Page 146  |  Page 147  |  Page 148  |  Page 149  |  Page 150  |  Page 151  |  Page 152  |  Page 153  |  Page 154  |  Page 155  |  Page 156  |  Page 157  |  Page 158  |  Page 159  |  Page 160  |  Page 161  |  Page 162  |  Page 163  |  Page 164  |  Page 165  |  Page 166  |  Page 167  |  Page 168  |  Page 169  |  Page 170  |  Page 171  |  Page 172  |  Page 173  |  Page 174  |  Page 175  |  Page 176  |  Page 177  |  Page 178  |  Page 179  |  Page 180  |  Page 181  |  Page 182  |  Page 183  |  Page 184  |  Page 185  |  Page 186  |  Page 187  |  Page 188  |  Page 189  |  Page 190  |  Page 191  |  Page 192  |  Page 193  |  Page 194  |  Page 195  |  Page 196  |  Page 197  |  Page 198  |  Page 199  |  Page 200  |  Page 201  |  Page 202  |  Page 203  |  Page 204  |  Page 205  |  Page 206  |  Page 207  |  Page 208  |  Page 209  |  Page 210