Boland has a profound interest in Irish history and classical mythology, and she alludes to both of these areas of interest in her poetry. For example:
‘That rose he smashed frays/ Ribboned across our hedge, recalling days// Of burned countryside, illicit braid:/ A cause ruined before, a world betrayed.’ (‘The War Horse’)
Boland uses a horse as a symbol of violence. It is a complex symbol, because a horse is in no way an aggressive animal, but can cause damage unknowingly. In this quotation, she compares the rose that the horse accidentally destroyed to the green ribbons worn by the Ribbonmen, a secret society whose name was derived from a green ribbon worn as a badge by the members. By alluding to this relatively unknown nationalist movement, Boland reminds us of Ireland’s complicated and violent history.
‘Dark falls on this mid-western town/ where we once lived when myths collided.’ (‘Love’)
Boland uses the ancient tale of Aeneas’ journey to the underworld in Book 6 of Virgil’s Aeneid to explore her changing relationship with her husband. She compares the past to the underworld; you can visit, but you cannot stay, and those you have loved and lost will be oblivious to your presence.
‘The only legend I have ever loved is/ the story of a daughter lost in hell./ And found and rescued there.’ (‘The Pomegranate’)
Boland alludes to the myth of Ceres and Persephone in this poem. Any daughter and any mother could relate to this poem, and identify with either Persephone or Ceres, depending on where you are in your life.