Poets often use sound effects, including alliteration (the repetition of consonantal sounds) and sibilance (a hissing sound effect achieved using ‘s’ and/or ‘sh’ sounds), to enhance their poetry.
ALLITERATION Plath uses alliteration to connect words and ideas and to add emphasis. For example:
‘The Times Are Tidy’ (‘The Times Are Tidy’) ‘History’s beaten the hazard.’ (‘The Times Are Tidy’)
Both of these examples add to the sing-song nature of this poem – it almost sounds like a nursery rhyme. This helps mask the deeper political statement the poem makes.
‘For that rare, random descent.’ (‘Black Rook in Rainy Weather’)
Here Plath uses alliteration to emphasise the importance of these moments of inspiration.
SIBILANCE The recurrence of ‘s’ sounds is an effective acoustic device in Plath’s poems. For example:
The repeated ‘s’ sounds here almost sound like echoes,
‘It was sunning in the narcissi./ I trespass stupidly.’ (‘Pheasant’)
Here the drawn-out ‘s’ sounds emphasise the tranquillity of the scene. The speaker seems to be almost whispering so as to not disturb the pheasant.
LANGUAGE
Poets select the language that they use very carefully, and it is therefore important to examine the type of language a poet chooses to use. Concise language is language that of a word is the idea or feeling that you get from it, in addition to its literal meaning.
CONCISENESS
Plath’s concise use of words means she uses deceptively simple language in a very eloquent way. For example:
‘I am not cruel, only truthful’ (‘Mirror’) what it sees.