The central image of the poem is that most iconic of all images, a mother and a child. A parent and a child’s relationship is ever-changing. Children are always trying to test protecting but not over-protecting, and fostering independence while not neglecting their child. It is a delicate balance – sometimes a child pulls away, at other times they regress and become needy again, and sometimes the parent is struggling to catch up with the child’s rapid development. But this moment is simply perfect. The mother leans down with open arms and the child runs into her mother’s embrace willingly: ‘A woman leans down to catch a child/ who has run into her arms/ this moment.’ This poem recognises and celebrates the fact that the ordinary moments in life are often the most precious, especially when you imagine how both mother and child are feeling; protective, protected and completely loved. The use of enjambment means this moment stands out as a line on its own. This mirrors the closeness of the embrace, which is at the heart of the poem, while the preceding lines are longer, as if mirroring the open arms of the mother.
As the poem ends, night has fallen, while late summer gradually fades into early autumn. Things are already changing, as they inevitably do. Boland uses the verbs ‘rise’, ‘Stars