The setting of this Shakespearean sonnet is Kavanagh’s native Inniskeen. The setting is conveyed in the title; not only the place, but the time of day and year. ‘July’ makes us think of summer. Although it is evening, it is a long, bright summer’s evening. The companionable image of the bicycles going by ‘in twos and threes’ suggests that people are heading somewhere in friendly groups (at the time, bicycles might have carried one or two passengers, along with the rider). Kavanagh uses alliteration to draw our attention to the fact that there is ‘a dance in Billy Brennan’s barn tonight’. An appealing feature of Kavanagh’s poetry is his use of the names of his neighbours. We do not know who Billy Brennan is, but everyone in Inniskeen certainly would.
Although Kavanagh may be writing about a traditional barn dance in rural Ireland, there is all the things that go unspoken when people are attracted to one another: ‘there’s the half- talk code of mysteries/ And the wink-and-elbow language of delight.’ It could be a modern debs that he is describing here. So much of the language of attraction is in a brief glance, a subtle nudge, a moment of eye contact, and Kavanagh captures this non-verbal language brilliantly.