collection of poetry, The Body’s Question. While ‘Joy’ focused on the body when it is dying, this poem focuses on a contrasting physical state – the body when it is utterly alive, the ‘in- love-and-lust’ body.
‘Dominion over the Beasts of the Earth’ is a 70-line narrative poem, divided into six stanzas and (like most of Smith’s poems) written in free verse. Its title is a quotation from the Old Testament, and it begins with an epigraph (a short quotation or saying at the beginning of a poem, intended to suggest its theme) in the form of an interesting biblical quotation whose meaning only becomes clear later in the poem: ‘And whatsoever Adam called every living creature, that was the name thereof.’
Regardless of what the biblical allusion may lead us to expect, it is not the enigmatic opening lines: ‘Last night it was Mauricio again,/ At the hacienda they say/ He and Veronica bought together.’ But we quickly come to realise that the setting for this encounter may be something that the speaker has dreamt of, a dream that draws on places and experiences from her past: ‘Dark rooms. Floors lain/ With exquisite dust.’ This mysterious space is a dreamscape and is dark, dusty and mysterious, like the mind itself. Smith uses the adjective ‘exquisite’, meaning both beautiful and delicate, to describe the dust. And so, in just a few meticulously chosen words, Smith vividly conveys the setting.
Smith conveys the young couple’s energy, ‘We ran/ Back and forth, opening/ All the sturdy doors’, and uses a particularly apt simile to describe their excitement: ‘giddy/ As kid goats that have learned/ To dance on two hooves.’ The alliteration and assonance in these lines lends a musicality to them, while the mention of ‘goats’ – animals commonly considered