090 VENUE
FRANÇAIS Dallas Ville Salle de Spectacle a ouvert en Septembre 2012 dans le
Quartier des Arts de Dallas Centre Ville. La caractéristique principale de Dallas Ville Salle de Spectacle est ses 749 sièges d’avant-scène du théâtre. Le théâtre est conçu avec un balcon flottant; un arc ajustable d’avant scène, un rideau LED unique et un état -de- l’art paquet technologique. Schuler Shook a pris la responsabilité du théâtre conseil et de design d’éclairage, pendant que Jaffe Holden était en charge de l’acoustique du théâtre. Le dessein audio comporte une combinaison des haut-parleurs d&b audiotechnik et Fulcrum, l’amplification de
Lab.gruppen, contrôle délivrée par Yamaha et un système d’écouter de Clear-Com. L’éclairage est fourni par Selecon et ETC, à côté d’un rideau LED des mailles visuellement époustouflant, qui remplit comme un toile de l’art électronique. Ce lieu vante le titre de l’un des premières installations du classeur réducteur de ETC Sensor 3 aux États-Unis, motorisé de contrôle gréement logiciel qu’a été personnalisé crée spécifiquement pour la Salle et pour les plus hautes bannières en Amérique du Nord.
ease of use. Dallas City Performance Hall is designed for a variety of art forms such as classical music, theatre, dance, popular music and lectures. The lighting system needed to accommodate these diverse lighting needs without being a labour or maintenance burden for this city-run facility.” Within the auditorium, Schuler Shook illuminated the upper ceiling with LED RGB washlights, while dimmable halogen wall-grazers were installed to add warmth to the room. The balcony edge railings in the auditorium also include colour-changing LED marker lights that allow the room to look fully customised for its surroundings. When the time came to specify theatrical lighting fi xtures, the design team looked to the industry standard, ETC Source Fours. In total there are 171 ETC Source Four profi les with various beam angles plus 10 ETC Source Four Zoom luminaires. These are located over the stage, in the FOH catwalks, the balcony rail and the box booms either side of the stage. Rob said of the decision to use ETC: “I’m glad we went with the Source Fours, they’re fantastic, they work forever, they don’t really break but if they do they are easy to fi x.” To complete the lighting rig a further 56 ETC Source Four Par Cans, 25 Selecon Arena 8 fresnels, 14 Selecon Aurora fi xtures and two Lycian M2 long throw followspots have been installed. For control and dimming, Schuler Shook once again looked to ETC. Kimberly Corbett of ASTC, said: “ETC was selected from several approved manufacturers for value and integrated system it provided, as well as its track record for service, reliability, and user training. The project included theatrical dimming, architectural dimming and processing, DMX-controlled relays, and pixel mapping and playback software for the LED curtain. All of these elements are connected through the lighting network and can be accessed from the control console or large touchscreens located in the control booth and backstage.”
ETC Eos and Ion consoles are used to control the theatrical lighting, while large ETC Unison Paradigm touchscreens for the architectural lighting control and an ETC Unison Mosaic system is in place to control the LED mesh curtain. Kimberly continued: “The Eos and Ion control consoles were selected because of their ability to scale to a particular production, whether pre-programmed or live, to integrate automated lighting and LED fi xtures with conventional fi xtures, and to accommodate potential future program expansion. Because both use the same syntax, operators familiar with one can easily move to the other.”
DCPH is also one of the fi rst installations in the US to incorporate ETC’s Sensor 3 dimmer racks, these were an upgrade from the orig- inally specifi ed SCR dimming racks, once again because technology had moved forward during the course of the building project. After a lengthy design, build and installation process there were high expectations for DCPH, it not only had to offer the local musical and theatre group something unique but it also had to blend in with the other entertainment houses within the Arts District. Rob concluded: “Our schedule has been busy since we opened so our biggest chal- lenge has been getting from event to event, which in the most part has been successful.”
www.mondodr.com DEUTSCH
Die Dallas City Performance Hall öffnete im September 2012 im Künstlerviertel in der Innenstadt von Dallas. Das Hauptmerkmal der Dallas City Performance Hall ist sein 749 Plätze fassendes Proszeniumstheater. Das Theater wurde mit einem schwebenden Balkon, einem regulierbaren Bühnenportal, einem einzigartigen LED-Vorhang und einem hochmodernen Technologie-Paket entworfen. Schuler Shook übernahm die Verantwortung für die Theaterberatung und das Beleuchtungsdesign, während Jaffe Holden mit der Akustik des Theaters beauftragt wurde. Das Audiodesign umfasst eine Kombination aus d&b audiotechnik und Fulcrum Lautsprechern, Verstärkung durch
Lab.gruppen, Steuerung durch Yamaha und ein Headset-System von Clear- Com. Die Beleuchtung wurde freundlicherweise durch Selecon und ETC bereitgestellt, zusammen mit einem optisch attraktiven LED-Gewebevorhang, der als Leinwand für elektronische Kunst dient. Dieser Treff schmückt sich mit dem Titel, einer der ersten Installationen des ETC Sensor 3 Dimmerschranks in den USA zu sein, eine motorisierte Steuersoftware des Aufbaus, die speziell für die Halle und die größten Akustik Banner Nordamerikas nach Kundenwünschen konzipiert wurde.
ITALIANO
La Sala Concerti della città di Dallas è stata aperta nel distretto delle Arti a Downtown nel settembre 2012. La caratteristica principale della Sala è il proscenio del teatro costituito da 749 posti a sedere. Il teatro è stato progettato con un loggione trasformabile, un proscenio ad arco mobile, una particolare tenda formata da LED ed è fornito di un aggiornatissimo set di materiali tecnologici. Schuler Shook ha accettato l’incarico di responsabile del design e della gestione relativi all’illuminazione, mentre Jaffe Holden è responsabile dell’acustica del teatro. L’impianto audio è costituito da una combinazione di d&b audiotechnik e da altoparlanti Fulcrum, l’amplificazione è realizzata dal
Lab.gruppen, i comandi controllo sono della Yamaha e il sistema in cuffia è realizzato da Clear-Com. L’illuminazione è fornita per gentile concessione della Selecon e ETC che forniscono anche uno straordinario sipario luminoso realizzato da LED, il quale svolge la funzione di una tela per
l’esecuzione di arte elettronica. Questo sito vanta una delle prime installazioni della struttura per i regolatori di luce degli Stati Uniti, denominato Sensore 3 ETC, un software meccanico per il controllo dei tiri che è stato specificamente creato nei confini nazionali per la Sala e per i più alti cartelloni acustici del Nord America.
ESPAÑOL El Dallas City Performance Hall se inauguró en Septiembre de
2012 en el Distrito de Artes de Dallas. La característica principal del Dallas City Performance Hall es su teatro proscenio de 749 asientos. El teatro está diseñado con un balcón flotante, un arco proscenio ajustable, una cortina de LED única y con la más moderna tecnología. Schuler Shook asumió la responsabilidad del asesoramiento y el diseño de iluminación del teatro, a la vez que Jaffe Holden estuvo a cargo de la acústica del mismo. El diseño de audio comprende una combinación de d&b audiotechnik y parlantes Fulcr, amplifi cación de
Lab.gruppen, el control por parte de Yamaha y un sistema de auriculares de Clear-Com. La iluminación es suministrada por cortesía de Selecon y ETC, junto con una cortina de malla de LED visualmente imponente, que funciona como una tela para el arte electrónico. Este lugar hace alarde de ser uno de los que tiene instalaciones de panel de control de luces Sensor 3 de ETC en Estados Unidos, software de control motorizado de tramoyas que fue creado de manera personalizada específi camente para el hall y los banners acústicos más altos de Norte América.
Photos © Justin Terveen
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