152 DIRECTORY
STANTON | SC-IX VERSION 4.0
www.stantondj.com
Stanton has announced version 4.0 of the SC-IX operating system for its SCS.4DJ complete digital DJ system. The SCS.4DJ’s state-of-the-art processors remove the need for an external computer when performing, making it a complete digital DJ system. This fresh approach means a DJ can simply plug in a storage device and start mixing using the built-in decks, mixer and high-resolution colour display. The new firmware includes the ability to preview a song directly from the song browser, as well as gain functionality for each deck allowing for user-adjustable gain control, which is stored with each track. It also has a VU metre source that gives users a visual representation of the master output or decks and a new artist column. The active playlist can now be sorted by artist, BPM or time and there are increased pitch range options. Users have been given the ability to edit a track’s beatgrid in realtime, with both ‘tap tempo’ and ‘dial-in-BPM’ functionality, for increased sync and loop accuracy and stability. The new SC-IX version 4.0 release and both Mac and PC versions of the QuickGrid high-speed analyser are available for download from the Stanton website.
TANNOY | QFLEX 64
www.tannoy.com
Tannoy’s QFlex is a range of digitally steerable, self-powered column array loudspeakers aimed at the high performance installation market. By creating an asymmetrical pattern, QFlex can produce equivalent SPL results in both the near and far field. Precise full-range beam control, effective to frequencies beyond 12kHz, allows the system designer to steer the QFlex beam away from surfaces that cause reflections. The QFlex 64 is now the largest model in the range, with 64 individual drivers each with its own amplification channel and DSP, in a 5.5-metre high column enclosure. This new model offers greater low frequency directivity control (down to 110Hz), increased effective range and throw, and greatly improved headroom and SPL. The QFlex 64 will also benefit from a new feature update, which will apply across the whole QFlex range, providing two on-board steering presets. This new feature will allow users to quick- ly reconfigure an installed QFlex column to an alternative coverage pattern with the flick of a remote switch. This is perfect for multi-functional spaces such as conference spaces which may be used in different ways for any given event.
YAMAHA | CL SERIES
www.yamahaproaudio.com
Yamaha’s CL Series comprises the CL1, CL3 and CL5 mixing consoles with the Rio3224-D and Rio1608-D I/O racks. The series uses built-in Dante network- ing to build flexible, scalable mixing systems. Rio units and CL consoles can be placed anywhere on the Dante network, while pairs of CL Series consoles can also be cascaded to handle larger mixing requirements. Yamaha’s auto gain compensation feature means that multiple consoles can share the inputs from one set of I/O racks without any fear of unexpected level changes. The CL Series ranges in capacity from 48 to 72 mono (plus eight stereo) inputs per mixing console, with all featuring 16 DCAs, 24 mix and eight matrix busses, as well as stereo and mono output busses. Three Yamaha MY card slots feature on all consoles, maintaining compatibility with every existing audio format, allowing other Yamaha digital consoles to be incorporated into the Dante network and for additional inputs / outputs.
SHT_2013_242x157_Layout 1 25.02.13 14:10 Seite 1
16th International Trade Show and Conference for Theatre, Film and Event
The World Forum for the Stage! The theme worlds:
Stage technology Lighting technology Sound technology Art department
(e.g. costumes, masks and props) Safety (staff and visitor safety)
Media technology (studio equipment, image and communication technology) Infrastructure / Furnishings
18 - 20 June 2013 Exhibition Centre Berlin
Organiser:
www.showtech.de Institutional Patron:
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60 |
Page 61 |
Page 62 |
Page 63 |
Page 64 |
Page 65 |
Page 66 |
Page 67 |
Page 68 |
Page 69 |
Page 70 |
Page 71 |
Page 72 |
Page 73 |
Page 74 |
Page 75 |
Page 76 |
Page 77 |
Page 78 |
Page 79 |
Page 80 |
Page 81 |
Page 82 |
Page 83 |
Page 84 |
Page 85 |
Page 86 |
Page 87 |
Page 88 |
Page 89 |
Page 90 |
Page 91 |
Page 92 |
Page 93 |
Page 94 |
Page 95 |
Page 96 |
Page 97 |
Page 98 |
Page 99 |
Page 100 |
Page 101 |
Page 102 |
Page 103 |
Page 104 |
Page 105 |
Page 106 |
Page 107 |
Page 108 |
Page 109 |
Page 110 |
Page 111 |
Page 112 |
Page 113 |
Page 114 |
Page 115 |
Page 116 |
Page 117 |
Page 118 |
Page 119 |
Page 120 |
Page 121 |
Page 122 |
Page 123 |
Page 124 |
Page 125 |
Page 126 |
Page 127 |
Page 128 |
Page 129 |
Page 130 |
Page 131 |
Page 132 |
Page 133 |
Page 134 |
Page 135 |
Page 136 |
Page 137 |
Page 138 |
Page 139 |
Page 140 |
Page 141 |
Page 142 |
Page 143 |
Page 144 |
Page 145 |
Page 146 |
Page 147 |
Page 148 |
Page 149 |
Page 150 |
Page 151 |
Page 152 |
Page 153 |
Page 154 |
Page 155 |
Page 156