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all inhabitants, thus, it needs a popular acceptance (Wolff Olins, 2008).13) Olins14) makes a few remarks concerning the current branding characteristics: The brand has become a social platform .The brand represents


more than a label applied to a product (which would have acted at an emo- tional level on a client, determining him to buy that product) – the brand has become a platform: people are invited not only to buy that product, but do dif- ferent things, interact, take attitude, change opinions, ideas, knowledge (see portals wikipedia.com, eBay.com, YouTube.com, etc), create, be innovative (Peugeot invites clients to be car designers); thus, the brand implies less emotional state: it has become more practical, generating active people and even activists of that spirit. The brand makes connections. It no longer addresses individual


consumers, but corporations, too. These form “constellations”, and the brand makes connections between them. Moreover, a brand may generate another, through endorsement. For example, New York has become an urban brand which connects an unimaginable number of companies and agencies promot- ing the city. The brand is no longer necessarily property of a company, but it has become the token of a true movement. The brand is a theme. Most corporations have become sensible to


local context. In the spirit of the idea of “identity instead of identical”, many multinational companies have adapted and personalised according to local culture (MacDonald’s sells locally specific products in many parts of the Globe: “La Plata” hamburger in South America, “terriaki macburger” in Japan,


12) Idem, p. 11. 13) Idem, p. 13. 14) See webpage www.wolffolins.com.


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To support this point, Peter van Ham (2002) identifies at least four categories of instruments in favour of city branding: 1. urban products and services have become so similar, from a qualitative point of view, that it takes something else to make a difference; 2. between brand and the consumer there is an emotional relationship which ensures loyalty of the latter; 3. brand offers a substitute for the political programs and ideologies (a.n. brand generates that set of ideas in which one believes and associates with); 4. the urban brand implies emotions, feelings, and certain values of city lifestyle. It is more and more part of urban management philosophy, in order to in- crease city competitiveness, regionally, nationally or globally; The main condition coordinating the urban management philosophy is the globalisation process which offers new competing data. Local authorities, residents must find solutions in order to keep the city in the sphere of global competitiveness, or else it is eliminated and its decline begins. Now, urban management implies the shift from leading (local government) to manage- ment (governance), public-private partnerships and a more adequate control over public space. 12) City branding implies loyalties and national characteristics; it implies


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