CITY BRANDING – THE NEW PHILOSOPHY OF URBAN MANAGEMENT –
Marius Cristian NEACŞU, Silviu NEGUŢ Academy of Economic Studies, Bucharest
1. Foreword. We are currently living a truly image myth1). All our informa-
tion is comprised in images, emotions and feelings are the same, we sell and but images, we are worshipers of the cult of image….even war takes place today on TV.
Objective reality is substituted by mental reality, now more than ever,
“a second reality”, the mental one, the one shaped by human mind, which takes the form of images travelling rapidly across the Earth. The city could not have been an exception to the “new wave”, and the
recent challenges driven by globalization – accentuated competitiveness (the city no longer competes with other cities in the national space, it is simply a global fight for generating urban services “consumers” – residents, tourists, investors, etc.), for “survival” in the regional, continental or world urban net- work, the tertiary and informational phase reached by humankind, all these have made it absolutely justifiable the flourishing of “world trade” with urban images.
work for the manifestation of the new phenomena in the urban space2). 1) During a speech at the Club of Rome, Ten myths of the contemporary world, the aca-
Thus, academic society has had to set a coherent theoretical frame-
demician Mircea Maliţa, the first Romanian member of the distinguished organisation and a friend of its President, places on top of everything else „the myth of image”, among the ten myths that dominate the „spirituality” of the modernity, pulling an alarm for today’s generations which are the most vulnerable to the substitution of substance, of facts, of places with their image, images which are the starting point of judgements and decisions („We don’t have time to reflect. The political figure begins to be obsessed with the image he and his actions project. The consumer buys what he sees in the commercial. People are preoccupied with their image and the image of those around them. Social structures are focused on „perception”. It is not important what happens but what is perceived... Even wars are understood in the television innoculated sense.” said the scholar during a „Conversation” with Elena Solunca Moise, pub- lished in the national press.) 2) For example, a series of urban concepts come to complete the conceptual relations
between them and to give scientific coherence to today’s phenomenons. Thus, if we were to associate an idea to each urban concept that forms the „eyes” of the conceptual network which represents the frame of a city’s image, it would look like this: urban space organisation – to
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