#IBC2023
CENTRA GATEWAY OFFERS HOLISTIC MEDIA MANAGEMENT Sencore
BY ADRIAN PENNINGTON
At the heart of Sencore’s IBC stand is the new Centra Gateway, presented as an end-to-end, holistic network management system for broadcasters to manage the full extent of their media chain. The platform is offered as a cloud- based SaaS or an on-site install. Sencore has spent the year since last IBC developing the solution to enhance the asset management capability; namely automating the process of identifi cation, labelling
91
and status assessment for objects on the network, and collecting, converting, aggregating, managing and distributing data between them as required. This includes the ability to receive, transmit and convert internet protocols, including RIST, SRT, Zixi and HLS, along with MPEG over IP. Furthermore, Sencore says it is using IBC to grant customers the ability to speak with its engineers, working together to identify what combination of systems and solutions best matches their business needs. 1.F72
AI PTZ CAMERAS GET A MOVE ON PTZOptics BY DAVID FOX
A new SE (Standard Edition) range of Move PTZ cameras has been introduced to bring the AI-based auto-tracking features of the Move 4K to a wider audience at a lower starting price, and a lower resolution (1080p at up to 60fps).
Broadcasters can manage the full extent of their media chain with Centra Gateway
Move SE cameras feature SDI, HDMI and USB-C video outputs, and support IP streaming technologies such as RTSP, RTMP and SRT for live streaming. They also have 12x, 20x and 30x optical zoom options, plus Power over Ethernet support, and can be upgraded to support NDI|HX. They offer intelligent auto- tracking, using advanced AI
A moving performance: The PTZOptics Move SE family
algorithms to lock on to specifi c people during broadcasts. This enables presenters, performers or athletes to move freely within the camera’s fi eld of view, while the camera smoothly and automatically follows them. It promises more dynamic viewing without needing a dedicated camera operator. The cameras also come with presets and remote-control options, allowing users to easily switch between multiple camera angles and scenes during a live broadcast. 11.D28
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60 |
Page 61 |
Page 62 |
Page 63 |
Page 64 |
Page 65 |
Page 66 |
Page 67 |
Page 68 |
Page 69 |
Page 70 |
Page 71 |
Page 72 |
Page 73 |
Page 74 |
Page 75 |
Page 76 |
Page 77 |
Page 78 |
Page 79 |
Page 80 |
Page 81 |
Page 82 |
Page 83 |
Page 84 |
Page 85 |
Page 86 |
Page 87 |
Page 88 |
Page 89 |
Page 90 |
Page 91 |
Page 92 |
Page 93 |
Page 94 |
Page 95 |
Page 96
