90
BATTERIES THAT SURVIVE SHOCK AND AWE Villrich Broadcast/Gentree BY DAVID FOX
Gentree’s batteries are claimed to be the only models that meet “US military-standard drop tests”, having been shown to be shock- proof and uncracked after 26 drops from all angles from a height of 1.2m. The batteries are also claimed to be short-proof and have “the lowest impedance”, according to distributor Villrich Broadcast. Gentree has released two G-Mount ranges of batteries: G-cube Gold, in 98Wh, 160Wh, 195Wh, 290Wh and 390Wh
14.4v D-tap ports, plus 5v USB. There are also new Beast B-Mount 160Wh, 290Wh and 390Wh 28.8v batteries for Arri’s Alexa 35, with two D-tap and two 60W USB-C PD ports.
Both G-cube and E-cube ranges Gentree-fi ed: The new G-cube Gold-Mount batteries
versions, all 12A; as well as the E-cube Gold series in 160Wh,
4K/8K HDR OLED MONITOR MAKES THE GRADE Konvision
BY DAVID FOX
The KUM-3120S is Konvision’s new 32in 4K/8K HDR OLED reference monitor, which features a 1,000,000:1 high contrast ratio, 540 nits peak brightness and 0.0005 nit black level, so that it can reproduce impressive black details. It is designed for professional and high-quality 4K/8K colour grading and postproduction.
It supports a variety of EOTF Log curve conversions, to match individual digital cinema cameras from Sony, Canon, Arri and Panasonic.
195Wh, 290Wh and 390Wh versions, all 15A. Both have two
are also available with a V-Mount, as are the 290Wh/22A N-cube, 390Wh/26A Monster, and the compact 98Wh and 145Wh/12A Bumblebee batteries. It also has a range of power banks, such as the new Penta 1200, which can take four 390Wh/26A batteries to output more than 1300W to power large 48v lights. 12.A32
IP NETWORK MONITORING IS A RACING CERTAINTY
The 10-bit OLED display has 3840x2160 4K/UHD resolution, with 12-bit video processing. It supports an 8K 12G-SDI quad link signal with 8192x4320 resolution at up to 60p. Besides the four 12G-SDI inputs and outputs, it also has an HDMI 2.0 input, and an SDI SFP+ module optical input. Its Quad View Mode supports mixed inputs, colour spaces and frequency rates. It can display wide colour gamut of up to 80% of BT.2020 and 99% of DCI-P3. Adjustable HDR modes include PQ (ST2084) and HLG, while Colour Compare helps to check the HDR and SDR of a single signal quickly. 10.F33
You Legend: Classique Legend winning The Everest at the Royal Randwick, Sydney
Providius BY DAVID FOX
Sky Racing Australia has deployed an Arista SMPTE 2110 broadcast network at its Sydney HQ and turned to Providius to add support for mission-critical operations. The new production facility is using IP technology over baseband video to offer fl exibility for future growth. But, to avoid network or media issues causing disruption, Sky Racing has implemented Providius software using live network telemetry from the Arista network switches to ensure maximum availability of its broadcast network. The Providius NVRT (Network
Dark star: Konvision’s KUM-3120S 32in 8K HDR OLED monitor
Visualisation and Real-time Telemetry) software provides
a comprehensive view of the Arista infrastructure, with access to real-time topology maps, network port-specifi c packet details, multicast media tracing and network cybersecurity in one dashboard. This simplifi es operations and increases cyber awareness, so operations teams can respond quickly to technical or cyber-related events. Sky Racing is also using BMG
(Broadcast Media Guard) from Providius, which acquires, decodes and analyses IP media fl ows, including ST2110- 20/30/40, PTP, MPEG2 TS and HLS, to actively monitor the IP network and alert operations to any potential issues in real time. Sky Racing Australia broadcasts 106+ channels of live TV around the world. 11.B05
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60 |
Page 61 |
Page 62 |
Page 63 |
Page 64 |
Page 65 |
Page 66 |
Page 67 |
Page 68 |
Page 69 |
Page 70 |
Page 71 |
Page 72 |
Page 73 |
Page 74 |
Page 75 |
Page 76 |
Page 77 |
Page 78 |
Page 79 |
Page 80 |
Page 81 |
Page 82 |
Page 83 |
Page 84 |
Page 85 |
Page 86 |
Page 87 |
Page 88 |
Page 89 |
Page 90 |
Page 91 |
Page 92 |
Page 93 |
Page 94 |
Page 95 |
Page 96