This page contains a Flash digital edition of a book.
152 DIRECTORY


LPS-LASER | LPS-LASER SHOW PLAYER www.lps-laser.de


The new LPS-Laser Show Player is produced in Germany and is suitable for use with ILDA applicable show laser systems. It offers a high performance 16-bit micro controller with 512KB of RAM, and it plays all show sequences in ILDA-standard format as well LPS-ULF. The LPS-Laser Show Player has up to 256 selectable shows via DMX or parallel interface. The DMX functions use a minimum of one channel up to a maximum of eight channels. The length of laser shows are limited by capacity of the media memory, but it can be expanded up to 2GB with the supports of SD cards with FAT16 file system. The laser system features 12-bit X/Y outputs, 16 million picture coordinates, with colour outputs from 8-bit RGBs. Its output speed is up to 30,000 points per second. It is also equipped with 255 pre-programmed laser animations and has an operational voltage of 5V.


MC² AUDIO | E100 www.mc2-audio.co.uk


Designed to run cool even in the most difficult working environments, the E100 can deliver 2.8kW into four ohms with all channels driven from a 2U, 11.8kg chassis. Various proprietary technologies have been utilised in the design. These include a Hybrid Dual Loop Feedback system (HDLF) for load independent, accurate audio reproduction, a high performance Active Energy Steering Circuit (AESC), custom drive circuitry and magnetic components to ensure highly efficient, high power, low impedance operation without compromise. The E100 was designed to run two ohm loads, to give huge power in excess of 3.5kW from each of the four channels. This gives the amplifier further flexibility for running bass applications and allows bridging of a pair of channels down to four ohms. As such, bridging a pair of channels via the rear panel switches turns the E100 into a very powerful bass amplifier offering 7.4kW at four ohms and over 5.3kW into eight ohms. Outstanding distortion and noise figures are quoted right up to maximum output. The E100 also achieves a maximum plug ‘n’ plug conversion of 86% of the power consumed, as each power converter within the E100 has been optimised for maximum efficiency while a resonant PSU dramatically cuts power semiconductor losses within the main power supply.


MIDAS | PRO2 & PRO2C www.midasconsoles.com


The PRO2 features three modes of channel navigation: FOH normal, MON normal and advanced, allowing engineers to easily and efficiently mix a large number of inputs on a very compact control surface. Putting a PRO2 / PRO2C into advanced navigation mode enables one of its greatest innovations: MCA (Master Control Association) groups. These operate in a similar way to VCA (Variable Control Association) groups, but are specific to the selected bus. As the PRO2 / PRO2C can be operated in a number of different ways, they come loaded with console templates to allow progressive exploration of the new navigation concepts. In Normal mode, operation of the PRO2/PRO2C is similar to many other digital consoles, allowing operators to work as they are accus- tomed to. The advanced navigation features can be implemented as the operator becomes familiar with the console. All Midas digital console show files are compatible with all Midas digital consoles, allowing a show written on a PR02 / PRO2C to run on a PR03, PRO6, PRO9, XL8 and vice versa.The Midas PRO2 / PRO2C standard system consists of a control surface and one 5U DL251 19-inch rack I/O unit, connected by a networked audio and data system. The network carries both proprietary control data and open architecture AES50 digital audio, and uses standard CAT-5E or CAT-6 cabling and connectors.


PIXLED | F-9 www.pixled.com


The design and architecture for the 9mm pitch F-9 features all the same dynamic characteristics that have proved so popular with the F-6 - high resolution, extremely lightweight, very easy to build and set up, ultimately creative and curvable in both directions - both concave and convex. F-6 and F-9 modules can be mixed and fitted together if desired in the same quick-lock touring frames. These utilise the renowned rapid hanging and footprint system that has proved such a winner for touring and temporary installation environments. Like the F-6, F-9 is also available with standard Pixled or super-HD resolution Mitsubishi processing, with highly serviceable and accessible IMs (LED strips) and power supplies, due to its unique tile architecture. F-9 is calibrated using radiant imaging’s benchmark VisionCAL system to ensure the best brightness and quality of the LED components. It is also offered with black SMDs. Pixled F-9 is ideal for both rental and staging applications and fixed installations, and comes with all the quality engineering, tourablity and robustness that is associated in general with the Pixled brand. For high brightness applications the LED panels are populated with 4000 Nit black SMDs, and for more standard uses, there is a 2000 Nit black SMD version.


POWERSOFT | M SERIES DSP+ETH www.powersoft-audio.com


The M Series DSP+ETH models are available in three two-channel (M30D DSP+ETH, M20D DSP+ETH, M14D DSP+ETH) and two four-channel (M50Q DSP+ETH, M28Q DSP+ETH) versions. Both the two and four-channel units provide two or four inputs and outputs respectively. In addition, each channel of- fers five bi-quad filters for system equalization, two crossovers, eight bi-quad filters, and RMS and peak limiters eliminating the need for outboard equalisers. Each M Series DSP+ETH amplifier is housed in a one rack unit, rugged metal case weighing in at only 7.4kg. The four-channel models provide up to 1,250W per channel on four ohm loads, while the two-channel models offer a maximum output of 1,500W per channel on four ohm loads. Powersoft patented bridgeable Class D outputs provide high quality sound, outstanding damping factor and, together with the switch mode power supply, optimal efficiency. This results in reduced operational costs from lower power consumption of both amplifier and external cooling, and makes on-site AC mains distribution vastly easier, especially for live sound applications. All M Series DSP+ETH models are able to drive 70V constant voltage lines directly without the need of transformers for installations.


PROJECTIONDESIGN | F35 AS3D www.projectiondesign.com


With up to 1,920 x 1,200 pixel resolution at full 120Hz refresh rates, the F35 AS3D displays fully uncompressed 3D with more detail than any projector in its size and performance category, creating the best and most life like 3D experience available anywhere. Particularly useful for scientific visualisation, virtual real- ity, visitor attraction and training and simulation applications, these higher detail levels allow users to make quicker and better-informed decisions, saving them both time and money. The F35 AS3D is based on the already popular F35 wqxga model - the highest resolution DLP projector available for commercial use. The F35 AS3D features a wide range of specifically designed high resolution projection lenses and incorporates projectiondesign’s unique RealColor colour management suite for perfect on-site calibration and unmatched colour accuracy. Natural and precise colours add to the high-resolution performance of the F35 AS3D, and image quality can be guaranteed over any number of projection channels. The projector offers brightness levels up to 7,500 ANSI lumens, a range of configuration options, and seamless switching between 3D and 2D. Additional benefits include user adjustable Smear Reduction Processing that reduces motion artefacts in high-speed imaging - yet another key feature for simulation applications.


www.mondodr.com


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95  |  Page 96  |  Page 97  |  Page 98  |  Page 99  |  Page 100  |  Page 101  |  Page 102  |  Page 103  |  Page 104  |  Page 105  |  Page 106  |  Page 107  |  Page 108  |  Page 109  |  Page 110  |  Page 111  |  Page 112  |  Page 113  |  Page 114  |  Page 115  |  Page 116  |  Page 117  |  Page 118  |  Page 119  |  Page 120  |  Page 121  |  Page 122  |  Page 123  |  Page 124  |  Page 125  |  Page 126  |  Page 127  |  Page 128  |  Page 129  |  Page 130  |  Page 131  |  Page 132  |  Page 133  |  Page 134  |  Page 135  |  Page 136  |  Page 137  |  Page 138  |  Page 139  |  Page 140  |  Page 141  |  Page 142  |  Page 143  |  Page 144  |  Page 145  |  Page 146  |  Page 147  |  Page 148  |  Page 149  |  Page 150  |  Page 151  |  Page 152  |  Page 153  |  Page 154  |  Page 155  |  Page 156