078 VENUE
One of the Meyer Sound MICA line arrays. The PA system can be used in conjunction with Constellation, but the two systems are not linked
TECHNICAL INFORMATION
SOUND AUDIO 20 x Meyer Sound MICA line array loudspeaker; 10 x Meyer Sound M’elodie line array loudspeaker; 19 x Meyer Sound M1D loudspeaker; 2 x Meyer Sound UPA-1P loudspeaker; 4 x Meyer Sound USM-100P loudspeaker; 6 x Meyer Sound 700-HP subwoofer; 2 x Meyer Sound Galileo loudspeaker management system; 1 x Avid VENUE D-Show System; 1 x XTA GQ600 EQ; 8 x Shure UR4D wireless receiver; 3 x Shure Beta 58 mic; 2 x Shure KSM9 mic; Senneiser wireless in ear system; Clear-Com communication system; 1 x Pioneer CDJ-800 Mk2 CD deck; 1 x Pioneer DJM-800 DJ mixer; 2 x Technics SL1210 Mk5 turntable
MEYER SOUND CONSTELLATION SYSTEM 189 x Stella-4C loudspeaker; 22 x Stella-8C loudspeaker; 17 x UPM 1P loudspeaker; 12 x UPJunior loudspeaker; 22 x UP-4XP loudspeaker; 12 x UMS-1P subwoofer; 56 x Omnidirectional Constellation microphones; 16 x Cardioid Constellation microphones; 1 x MS-Constellation processor; 6 x MS-VRAS processors; 5 x MS-Expansion processors; 1 x Lemur touch- screen controller
LIGHTING AND VIDEO 1 x High End Systems Road Hog desk; 12 x Robert Juliat 714 SX2 profile; 16 x Robert Juliat 613 SX profile; 24 x Robert Juliat 614 SX profile; 10 x Robert Juliat IW SX755 iris; 32 x Robert Juliat 329 HPC spotlight; 22 x Robert Juliat 329 HF fresnel; 54 x Robert Juliat CF 329 barn doors; 16 x Robert Juliat 306 LPB fresnel; 16 x Robert Juliat 306 LF fresnel; 48 x Litecraft PAR 64; 32 x Litecraft CYC-1000 flood; 12 x Martin Professional MAC TW1 washlight; 12 x Martin Professional MAC 2000 Performance II luminaire; 12 x Martin Professional MAC 2000 Wash; 1 x Look Solutions Unique Hazer; 1 x Barco DP-2000 projector; 1 x Barco ACS- 2048 content switcher
www.tallinnconcerthall.com
and Middle East, people are much less resistant to this type of technology than they have been in Europe,” said John. “I think there’s a good reason for that. Europe has had a number of systems out there that haven’t really worked very well. With Constellation, we offer unique, time constant patented technology and we always embrace the entire room in our designs. Some systems rely on just four microphones over the stage, and they then create electronic reverberation that’s distributed to the rest of the room via loudspeakers, but that is only partly successful because it doesn’t embrace the entire room. “One of the principal attributes of Constellation is that it addresses all of the communication issues in a hall. So the musicians can hear themselves, the audience can hear the musicians, the musicians can hear the audience, and the audience can hear themselves. There are all these communication issues that need to be satisfied in order for a hall to be successful. Constellation addresses all of those issues; some of the competing systems don’t do that.” With patented reverberators that are unique to Meyer Sound, it would seem that Constellation’s impact on the electro-acoustic market is secure. The success of any system is determined by how effective it is, and ultimately, how much it is enjoyed by the users. In this case, the users are both the performer and audience, and John believes this unifying backbone is what sets it apart from other systems. “The central tenet of Constellation is to embrace the entire building and I think that’s why it is so successful. When people come into the room, it doesn’t matter if they are onstage or if they’re in the middle of the audience, if they clap their hands they hear reverberation. And people find that very cool. Once people lock into the flexibility of the system, and how natural it sounds, they get it. We’ve had 80 acousticians and consultants come through here for demos, and not one of them has said it sounds unnatural. I can put my hand on my heart and say that. So we’re kind of pleased about that.”
www.mondodr.com
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