This page contains a Flash digital edition of a book.
128 VENUE


“The modular design of the L Series VuePix


screen totally suits this environment, because it


is IP rated, so the outdoor area is not a problem for the screen.”


The Main Bar


the best functional entertainment venue in Australia, and I drew on my 30 years experience to fulfill that.”


He turned to ULA to provide the lighting and visual technology for two of the main entertainment areas within the complex - the Beer Garden and the Main Bar. ULA’s Sales & Product Support, John Buchanan explained further: “They were looking for the wow factor for the Beer Garden and had the idea to use large LED display. ULA worked closely with Bruce in order to ensure that the end results would suit the space and work into the system requirements.” The centrepiece of the Beer Garden is a VuePix L Series P10 outdoor 5 metre by 2.8 metre LED screen equipped with VisionPro HD processor to deliver the video content. The screen is hung using four Chainmaster 250kg hoists with a BGV-D8 4-channel manual controller. John continued: “The use of L Series on a ChainMaster motor system means the screen can be raised or lowered depending on whether or not there is an act on the stage.” The daylight sensing card which automatically dims the screen brightness in low light and night time conditions, offers another element of flexibility. John said: “The modular design of the L Series VuePix screen totally suits this environment, because it is IP rated, so the outdoor area is not a problem for the screen. Because of its design, individual pieces can be removed for maintenance without affecting the entire display.” Elsewhere in the Main Bar, ULA has supplied a total of 21 iLED Pro LED Source 14 TriColor LED PAR fixtures, four Robe Beam 250 XT moving heads, four Robe Scan 250 XT scanners, one Robe Color Spot 575 AT moving head, one SDV Pro Centre Light, two iLED Pro Stage Zoom RGBWA moving heads, two SDV Giga Strobe 1500 DMX strobe effects, one iFog 580 smoke machine, and metres of


TECHNICAL INFORMATION


LIGHTING & VISUAL 32 x VuePix L Series 10mm LED panel (5 x 2.8 metres screen); 1 x VuePix VisionPro HD Processor; 4 x Robe Beam 250 XT moving head; 4 x Robe Scan 250 XT scanner; 1 x Robe Color Spot 575 AT moving head; 1 x SDV Pro Centre Light; 21 x iLED Pro LED Source 14 TriColor LED PAR fixture; 2 x iLED Pro Stage Zoom RGBWA moving head; 2 x SDV Giga Strobe 1500 DMX strobe effect; 1 x iFog 580 smoke machine; Visio RGB LED tape; e:cue lighting control system; 4 x Chainmaster 250kg hoist; 1 x BGV-D8 4 channel manual controller


sound Acoustic Technologies Professional speakers, Acoustic Technologies Professional amplifiers, MediaMatrix NION processors


www.eatonshillhotel.com.au


The Beer Garden


Visio RGB LED tape fo the dancefloor and surrounding areas. The fixtures are controlled via an e:cue system, with a touch screen moni- tor. The monitor easily allows the DJ to select the desired lighting to accompany the DJ set. John said: “We are using e:cue solutions and interfacing it with the Crestron automation system, as well as using e: cue’s new iPad application. e:cue provides control solutions that are in parallel with this type of environment.”


The Main Bar audio system was supplied by Brisbane based Acoustic Technologies Professional. Bruce said: “The speakers and amplifiers from Acoustic Technologies are extremely robust and are architectur- ally suited to the pub and club market.” The processing in the Main Bar is provided by MediaMatrix NION processors - each featuring a 448-channel high speed digital audio bus and a floating point-based DSP engine - which offer an efficient audio solution. ULA has also provided lighting for one of the more unique aspects of the complex, an old tree, which has been strategically placed so that its branches spill over onto purpose built decks. There’s a number of other trees in and around the venue that add a real sense of nature, which have been lit with iLED Pro outdoor multipar fixtures. These lights are again controlled by an e:cue lighting system. John said the biggest challenge was: “Time frames for the equip- ment, as well as the speed of the building process, created a chal- lenge - to be able to have things available when needed. We worked very hard with all our suppliers to ensure the project was a success.”


www.mondodr.com


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95  |  Page 96  |  Page 97  |  Page 98  |  Page 99  |  Page 100  |  Page 101  |  Page 102  |  Page 103  |  Page 104  |  Page 105  |  Page 106  |  Page 107  |  Page 108  |  Page 109  |  Page 110  |  Page 111  |  Page 112  |  Page 113  |  Page 114  |  Page 115  |  Page 116  |  Page 117  |  Page 118  |  Page 119  |  Page 120  |  Page 121  |  Page 122  |  Page 123  |  Page 124  |  Page 125  |  Page 126  |  Page 127  |  Page 128  |  Page 129  |  Page 130  |  Page 131  |  Page 132  |  Page 133  |  Page 134  |  Page 135  |  Page 136  |  Page 137  |  Page 138  |  Page 139  |  Page 140  |  Page 141  |  Page 142  |  Page 143  |  Page 144  |  Page 145  |  Page 146  |  Page 147  |  Page 148  |  Page 149  |  Page 150  |  Page 151  |  Page 152  |  Page 153  |  Page 154  |  Page 155  |  Page 156  |  Page 157  |  Page 158  |  Page 159  |  Page 160  |  Page 161  |  Page 162  |  Page 163  |  Page 164  |  Page 165  |  Page 166  |  Page 167  |  Page 168  |  Page 169  |  Page 170  |  Page 171  |  Page 172  |  Page 173  |  Page 174  |  Page 175  |  Page 176  |  Page 177  |  Page 178  |  Page 179  |  Page 180