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TL180 TUBE LIGHT GOES TO NEW LENGTHS


Godox Photo Equipment BY DAVID FOX


Godox has released the TL180 – a 180cm tube light, 60cm longer than it has offered previously. It has also announced the G1200Bi – its brightest bi-colour LED light. The 55W TL180 offers lots of colour choices for creative shooting. It supports RGBWW and HSI colour settings, so users can pick the colour they want from up to  choices. olour fidelity


is also good, with a TLCI rating of more than 98. It has a built-in battery, which can last for 160 minutes at maximum output, and can be charged as it is being used. Besides on-board control, the TL180 supports remote, Godox app and DMX control. There are 14 built-in special effect modes, including a music mode where the light effect changes based on surrounding sounds.


The new 730W M600Bi extends Godox’s professional Knowled eries with a bicolour fixture. ith a reflector the i outputs 17,500 lux at 3m. Add the Godox fresnel lens and it can deliver up to 40,000 lux at the same distance. It has a TLCI rating of higher than 97, shifting slightly to magenta in warm light, to help enhance skin tones. Its cooling system is claimed to be


Tubeway army: The Godox TL180 on parade


barely audible, but there is also a fanless mode. 12.G47


RCT OFFERS FLUID REMOTE CONTROL OF PTZS


Remote Camera Technology


BY DAVID FOX


A new version of the FR-1 Fluid Remote has been unveiled, which can be used to control Canon and Sony PTZ cameras along with RCT robotic heads for live on-air events.


The FR-1 pan bar system is optimised for ultra-low latency control of RCT robotic heads and select PTZ cameras over IP and is suitable for remote productions. Up to four cameras of mixed types can be controlled. It is claimed to provide intuitive, position-based movement that mimics controlling a camera on a traditional fluid head. ompared to velocity-based joystick control this means operators can quickly


Raising the pan bar: RCT’s latest FR-1 Fluid Remote


learn how to move the camera smoothly – important for on-air situations. The FR-1 can also be used for motion capture of pan/tilt/zoom/focus for accurate playback. It communicates with video switchers over IP for tally information and aux bus control. A bracket and counterweight are available options when using a in field display. 11.D40


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