40 OPINION
5G’S CAPACITY: A BOON FOR VIDEO PROFESSIONALS
Mathieu Lagrange Networks ecurity irector bcom
5G promises even more capacity. But we know that 5G offers much more than a network. How do you take advantage of it for production or distribution? What will 5G change for broadcasting? 5G provides relevant answers to two issues in particular first flexibility and coverage (there is no way for WiFi to cover a site that spreads out over tens of hectares and second ersatility and security in simple use cases. We spoke with Olympic Broadcasting Services (OBS) and they shared with us their experience of the okyo lympics. brought to them better coerage lower deployment cost and better video contribution in the upstream direction. heir main need was coerage at one site with control of the infrastructure. For this type of operation there is no sharing of resources with the local public operator. OBS had
priority and access to all available capacity. Keeping your 5G network to yourself (without sharing it with public operators) requires an easily deployable infrastructure.
“We decided to work on a solution designed to be quickly adopted by IT managers. We see a strong demand for ad-hoc connectivity, to deliver video streams”
hae a counterexample in mind a radio network. he is complicated expensie and difficult to deploy. ence the benefit of using standard hardware haing flexibility in the deployment. It’s not about having very strong performance. he important thing is the uplink sending content to the network which ustifies not using public networks (dedicated to the downlink).
he maor euipment manufacturers
are working on solutions to cover large population densities for the major telecom operators. oweer s cannot afford it. hats why we decided to work on a solution designed to be quickly adopted by managers. e see a strong demand for adhoc connectiity to delier ideo streams. b<>com’s solutions are based on the most commonplace infrastructure possible. hese solutions are close to those needed in the industry. e integrated in bcom the ome a video stream management application supplied by one of our partners that allows the video compression rate to adapt in real time based on link uality. his is ideal for coering an eent. And as images are sent back through we can also imagine producing live from the production truck. 2.B39d
SMOOTHING OUT ROCKY ROAD FOR GIMBAL USERS 4acrew BY DAVID FOX
Rocky is a camera support designed to work with electronic gimbals and make them easier to use. It arose from inventor Andy Galeazzi’s frustration with using gimbals which hae improper mass balance are uncomfortable to use and hae limited power autonomy and/or distribution”. aleazzi of acrew added his forces users to hae tons of small batteries which hae to be replaced regularly. his task is not easy and uick to do especially if the camera is mounted and well balanced.”
All the gimbals currently on the market need ancillary equipment in order to park them when not operating and they all hae poor aesthetics are often ugly een ust to see and do not rise to the uality of what filmmakers would want to hae in their hands he continued. his is why he designed ocky. t takes less than a minute to insert and lock your handheld gimbal in its horizontal accommodation and you’re ready to go he said. t can support s mirrorless cameras and camcorders and some compact highend cameras from Arri ed anon ony or . Using Rocky in Steady Gun mode is much more stable
thanks to the counterbalance of an extra mount battery helping to establish a proper centre of gravity – and solving any problems related to multiple power requirements. he system also transforms quickly to a shoulder mount configuration or
to fit on a tripod teadicam or other support.
ocky comes with handgrips Arri rosette attachments extra iewfinder or monitor mounts
Rock star: Galeazzi using a prototype of Rocky in shoulder-mount mode
ap power hub numerous in and 3/8in mounting points and lue hape mount plate. 12.C91
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