The ongoing success of the TM3 TouchMonitor is being showcased by RTW
throughout this year’s IBC. First previewed at IBC2011, the TM3 is said to mark the next generation in loudness- compliant professional audio signal metering. The TM3 – which
incorporates features from the larger TM7 and TM9 TouchMonitor versions – is controlled using a 4.3-inch touch-sensitive screen. Featuring PPM and true- peak instruments, it offers comprehensive loudness metering in compliance with all globally relevant
standards, including EBU R128, ITU BS.1770-2/1771, ATSC A/85 and ARIB. Instruments include single-channel and summing bar graphs, an LRA instrument and numerical displays. While the basic version handles analogue and digital stereo
audio, the 5.1 option adds the support of six- channel digital input. 8.E76
16:30 - 18:00 RED: From acquisition to post to presentation, RED and HP come together to show RED workflow
Sunday 9 September
11:30 - 12:30 CONFERENCE SESSION Hyper-Reality: High-Res Digital Cinema Transforming Film Making
18:30 (doors open at 18:00) IBC AWARDS CEREMONY
Saturday 8 September 11:00 - 12:30
CANON: Power to Tell Stories. A 4K screening of movies created using Canon’s latest Cinema EOS cameras
14:00 - 15:30
ARRI: The Power to Dream, the Vision to Innovate. Cinematographer Roger Deakins, ASC, BSC, (Skyfall, In Time), will be talking about his experiences with ALEXA
16:00 - 17:30 ASSIMILATE: Creative Storytelling with RED Epic cameras and ASSIMILATE’s SCRATCH RED and ASSIMILATE demo real-time EPIC and SCRATCH workflow – dailies through grading, compositing, and finishing
18:30 (doors open at 18:15) IBC MOVIE: PROMETHEUS - in Stereoscopic Dolby 3D & Dolby 7.1 ‘Courtesy of Twentieth Century Fox International'
Monday 10 September
09:30 - 11:00 CONFERENCE SESSION Exploring 3D: The New Grammar of Stereoscopic Filmmaking
11:30 - 12:30 CONFERENCE SESSION Why Budget Wary Producers Should Wake Up To Stereoscopic 3D
13:00 - 14:30 CONFERENCE SESSION Does digital imaging now hold all the ACES over film?
15:00 - 16:30 CONFERENCE SESSION Start-To-End Digital Production Tools
18:30 (doors open at 18:15) IBC Big Screen Showcase: Christie present the World’s first screening of a feature length movie in high brightness 3D using laser projection technology. Don’t miss out on this exciting opportunity to glimpse into the future of 3D content.
Now we are four: The Ki Pro Quad
Recording 4K in solid state
AJA By Carolyn Giardina
TM
AJA’s display of its latest technologies includes T-TAP, Ki Pro Rack and Ki Pro Quad. AJA’s T-TAP for broadcast monitoring is a portable bus- powered device that enables SDI and HDMI output from a Thunderbolt-enabled Mac. With an eye toward replacing traditional VTRs, the Ki Pro Rack uses the same SSD or spinning disk storage modules as the Ki Pro with recording capacities scaling up to 500GB in a 1RU. It can be used to create Apple ProRes 422 or Avid DnxHD files. The Ki Pro Quad is solid-state portable video recorder that supports 4K, 2K, Dual-link HD, 3G and HD, and is designed to help create workflows for those needing to support RAW workflows as well as those who wish to have options such as the ability to record to 4K Apple ProRes directly from the upcoming Canon C500 camera. The Ki Pro Quad – similar in size to the Ki Pro Mini – further offers 444 support for HD-based cameras like the Sony F3. 7.F11