#IBC2025
BRIGHT SPOT AIMS FOR TRADITIONAL FIXTURES
Prolights BY DAVID FOX
The EclFresnel CT+XLIP is claimed by Prolights to be “the industry’s brightest IP65- rated full-spectrum LED Fresnel”. It’s designed to replace
AUREUS SERIES PRIMED FOR FULL-FRAME COVERAGE NiSi
BY DAVID FOX
Shiner: The 1200W six-colour EclFresnel CT+XLIP LED fixture delivers up to 44,000 lux
traditional 5kW tungsten and 2.5kW HMI fixtures.
It uses a 1200W six-colour LED delivering up to 44,000 lux and has a 300mm Fresnel lens with a versatile 10°-90° zoom range, for tight, punchy beams or broad, smooth washes. Optional open-face reflector lenses (30° and 60°) are also available. It supports wired and wireless DMX/RDM and is designed for use in movie studios, film rentals, large theatres and TV studios.
The EclProfile CT+HP is a high-power 450W, six-colour LED ellipsoidal fixture that can deliver 14,000 lux at colour temperatures between 1800K and 20,000K. It is designed to replace traditional HPL 750W and 2kW tungsten fixtures for long-throw distances and high-hanging positions in theatres, studios and auditoriums. It is available in indoor and IP65-rated outdoor versions. 12.D31
The Aureus Prime T1.4 cinema lens series is designed for full-frame cameras, covering a 46mm image circle. The series will come in eight focal lengths: 18, 24, 29, 35, 50, 65, 85 and 105mm, with the 18, 24, 35, 50 and 85mm available initially, all with a fast T1.4 aperture. An 11-blade aperture allows smooth, precise adjustments, and promises smooth out-of- focus transitions and a more dimensional image.
The PL-mount lenses share a similar image
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character with NiSi’s existing, lower-cost Athena Prime lenses, so users should be able to use them together without obvious differences. The optics include ultra-low dispersion elements to minimise distortion, chromatic aberration and colour fringing, as well as coatings to reduce flare and ghosting.
Glow-in-the-dark markings on the focus and aperture rings ensure readability in low-light environments. 12.B54
A golden generation: NiSi’s Aureus Prime T1.4 cinema lenses
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