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06


MAKING THE CUT Dalet


BY KEVIN EMMOTT


With an eye on remote collaboration, and designed to power live web-based editing from anywhere, Dalet Cut is a cloud-native multimedia/ multiplatform editor that the company has now integrated within the Dalet media workfl ow ecosystem.


Enabling media assembly for news production, content preparation, cutdowns, game highlights, recaps and compliance


Kirchhoffer: ‘Web-based editor can be used across many different work cases’


editing, it provides the ability to edit from a browser without having to install additional


software or hardware. Robin Kirchhoffer, CMO, Dalet, said: “Dalet Cut is a fl exible,


cloud-native system. It is a web- based editor which can be used across many different work cases and is now incorporated within the wider Dalet ecosystem.” An end-to-end cloud workfl ow keeps fi les in the cloud from start to fi nish, while the underlying Dalet Media Asset Management engine keeps track of in-progress content workfl ows, simplifying the management of large pools of assets across multiple locations. Dalet Cut provides native access to assets such as clips, sequences, projects and graphics. 7.B45


5G EMERGES FOR SATELLITE-ENHANCED ONLINE DELIVERY


EBU (European Broadcasting Union) BY DAVID FOX


The EBU is leading a 21-company consortium developing online delivery combining distributed edges connected via a satellite backhaul, which “improves playout quality and should reduce traffi c costs by ingesting content as close as possible to the end user”, according to Bram Tullemans, Senior Project Manager, EBU. “The project is called 5G-Emerge as it


uses 5G technologies to achieve convergence.” This is transparent to the audience as their media applications are redirected to local caches on the far edge. “These distributed edges could be deployed near 5G base stations, for example, or in local routers in homes or cars, or at a 5G base station on a ship,” he explained. For content providers, the ecosystem functions as a normal (multi-) CDN setup. Satellite networks deliver multicast streams of popular content, jumping over busy


interconnection points. Content to fi ll this feed is retrieved from reverse proxy requests in which content can be prioritised by a prefetching engine that predicts content likely to be popular in the region covered by the satellite network. The new approach is said to improve playout quality, with low latency and fast start-up times. It also works at locations with limited or no IP coverage as it can fall back to satellite-only mode. Network functions can be exposed all the way up to the 5G devices. Where there is no 5G network available, the


UPGRADES FOR WIRELESS AND CAMERA CONTROL Videosys Broadcast BY DAVID FOX


Videosys has launched a camera control upgrade kit, an “exciting addition to our range, because it allows broadcasters to unlock future possibilities and take full control of their camera operation”, said Colin Tomlin, Managing Director, Videosys Broadcast. “By offering Ethernet control capabilities for new and old camera manufacturers, the upgrade kit brings new dimensions to motion control, providing limitless possibilities for creative shots.”


It is also unveiling Sony FX9


Ethernet control and its new RXSME profi le upload that promises more effi cient camera management. It will also integrate RXSME Ethernet with Panasonic, GV and TSL Tally 3.0. Its new Aeon web interface and Blackmagic Design control additions expand its range of options for camera control, while transmitter control via an IDU base unit promises to streamline operations and enhance effi ciency, particularly at live events. There are also new remote control panels for Mediaedge high-speed cameras, which integrate seamlessly into existing OB infrastructure. Videosys’ all-in-one Epsilon 4K Camera Control system boasts


Tullemans: 5G-Emerge


‘improves playout quality and should reduce traffi c costs’


far edge will be the end point. The 5G-Emerge ecosystem is compliant with a futureproof 5G-architecture approach and can provide a fallback for existing non-5G components. 10.D21


Enhancing wireless camera control effi ciency: Videosys’ Epsilon 4K camera control


wireless workfl ow that simplifi es radio camera installation by allowing multiple camera set-ups to be matched quickly and effectively. Together with the Aeon web


interface, it offers an improved user experience and enables effi cient wireless camera control and RF- over-fi bre capabilities. 11.B47


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