#IBC2025
BOTS SET FREE TO ROAM MRMC
BY DAVID FOX
The Cinebot Nano and the RPS- LT have been added to MRMC’s range of robotic camera systems. The Cinebot Nano eight- axis motion control robot has a 7kg payload and offers “unprecedented portability”. It weighs less than standard air travel limits and, packed into three cases, is designed for rapid deployment in any environment.
The Cinebot Nano is a powerful and portable eight-axis motion control robot
It comes with Flair Lite software’s intuitive interface that strips back complexity without compromising on creative precision, as well as Push Moco functionality. It’s available in
NARA SEES THE BIGGER PICTURES FilmLight
BY KEVIN EMMOTT
Introducing a suite of new features to Nara at IBC2025, FilmLight is aiming to further streamline large media workfl ows. Nara provides search tools and accurate, bandwidth-friendly streaming of media fi les irrespective of their encoding or format. The latest features include advanced analytics tools, real-time transcoding capabilities, a new project management feature, as well as tools for notes and comments to aid collaboration across teams and departments. A new analytics feature provides a detailed overview of user
77
pedestal and full track confi guration. For broadcast studios, MRMC’s RPS-LT is a new iteration of its Roaming Pedestal System (RPS). The RPS-LT integrates the Studiobot LT arm onto the free- roaming platform, offering greater fl exibility and repeatability. This trackless system enables dynamic, otherwise-impossible, camera angles, choreographing safe movements of multiple units within a studio. The RPS-LT provides the creative freedom of robotic arms with the benefi ts of a roaming platform, ensuring clean and safer studio spaces with built-in collision avoidance and FreeD live- position data for VR environments. 11.C20b
systems, including directory size, fi le age, volume capacity and storage distribution by fi le type. In addition, new Secure Client Review functionality enables users to stream media directly to clients with complete security and guaranteed accuracy. Nara’s new Project Management feature provides a unifi ed view across all storage locations, making media instantly accessible and searchable from a single interface, regardless of storage location. Also, a new Consolidate and Transcode feature with support for over 130 codecs and formats means Nara can now transcode any of its supported media fi les into a desired format. 6.C19
MANAGING THE SWITCH TO IP Netgear BY DAVID FOX
Four new models in Netgear’s M4350 managed switch portfolio, all designed for broadcast and pro-AV applications, are on show. New features promise to accelerate deployment and simplify management, with advanced capabilities ideal for IP-based installations, particularly live event and broadcast applications.
They all have LED port identifi cation, matching colours assigned in the Netgear AV OS. This makes it easy for technicians to identify which cables should be connected to specifi c ports, simply by fi nding the corresponding LED colour. All new M4350 models have enhanced SMPTE ST 2110 support, including built-in
grandmaster clock and boundary clock functionality, while maintaining transparent clock capabilities across the entire M4350 and M4250 switch lines. This means they can serve as the primary timing source for a broadcast network. They have secure power connections, using a new mechanism to secure power cables to the chassis, preventing accidental disconnection during live events. Laurent Masia, Netgear Senior Director of Product Line Management for Managed Switches, said: “With enhanced ST 2110 support, intuitive LED port identifi cation and secure power connections, these managed switches are designed in every detail to streamline deployment and deliver rock- solid reliability.” 10.D33
Switch hit: The M4350 managed switch lineup
Nara’s evolving platform has developed to meet new customer requirements
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60 |
Page 61 |
Page 62 |
Page 63 |
Page 64 |
Page 65 |
Page 66 |
Page 67 |
Page 68 |
Page 69 |
Page 70 |
Page 71 |
Page 72 |
Page 73 |
Page 74 |
Page 75 |
Page 76 |
Page 77 |
Page 78 |
Page 79 |
Page 80 |
Page 81 |
Page 82 |
Page 83 |
Page 84 |
Page 85 |
Page 86 |
Page 87 |
Page 88
