66
FIELD PRODUCTION GETS MONITOR AND BATTERY BOOST Swit Electronics BY DAVID FOX
The €2000 package comes with a
Swit has introduced a 21.5in HD fi eld production monitor with 4K inputs alongside small Omni batteries. The 1000-nits FM-215HDR QLED monitor includes a V-mount battery adaptor for use on location. Chenlong Wang, Sales Manager, Swit Electronics Europe, said: “It is a turnkey on-set monitor with everything included, so it’s ready to use, anytime.”
fl ight case and has a VESA mount that also allows it to be used in vertical mode. It includes 12G, 6G, 3G and HD-SDI and HDMI inputs, and can display mixed formats in Quadview. It supports PQ, HLG and S-Log3 HDR formats and boasts a 100% DCI-P3 wide colour gamut. The mini V-mount Omni batteries come in 50Wh and 99Wh versions and include USB-A and 65W USB-C I/O. They sport 14.4v D-Tap and 8.4v DC ports, allowing users to power accessories such
Wang: ‘It’s a turnkey on-set monitor with everything included’
as monitors or follow focus. The batteries provide a continuous output power of 100W for the
COMPACT SWITCHER AND PTZ CONTROL Marshall Electronics BY DAVID FOX
The VMV-402-3GSH, a four-input, auto-scaling, seamless switcher, and the VS-PTC-300PTZ camera controller, which can control multiple cameras, are new from Marshall Electronics. The VMV-402-3GSH can be used in various broadcast applications, such as edit rooms, or as an aux input for existing production switches. A simple command
structure allows easy integration with Crestron and other control surfaces, as well as automation systems via Ethernet or RS232. The switcher accepts four 3G-SDI sources, as well as HDMI. It accepts all common input
formats/frame rates and converts to a single output format. Programme out is available simultaneously as SDI and HDMI. A second HDMI output provides a full-time quad view. The VS-PTC-300 controls multiple PTZ cameras via serial
50Wh and 150W for the 99Wh models. 12.C31
and IP interfaces simultaneously and allows easy set-up via NDI/ IP discovery. The controller provides seven instant access camera control buttons, 256 camera presets, joystick, zoom rocker and fi ne-tune knobs, and can operate across multiple camera protocols and connection types. Settings include iris, white balance,
The VS-PTC-300PTZ camera controller for NDI and IP systems
exposure, red/blue balance, shutter speed, focus, pan/tilt and zoom speeds. The built-in information display doubles as a video monitor for NDI and RTSP streams. 11.A17
VOLUMETRIC VIDEO IN REAL TIME WITH ECAPTURE PRO
Emergent Vision Technologies BY DAVID FOX
Expanded real-time 3D/4D reconstruction capabilities are being introduced into eCapture Pro software. John Ilett, President and CTO, Emergent Vision Technologies, said: “Volumetric video adoption continues to grow in applications, including sports, gaming, live music, medicine and beyond. In a world where ease of use is becoming a primary focus for
technology adoption, Emergent’s eCapture Pro software allows simple, end-to-end 3D and 4D reconstruction capabilities, from image capture to export.” It uses an intuitive drag-and-
drop interface that allows users to set up and confi gure a project involving multiple cameras, servers, GPUs, storage and other components without the need for sophisticated vision expertise.
eCapture Pro now offers real-time 3D and 4D reconstruction capabilities
In a previous iteration, eCapture Pro recorded volumetric camera data to storage before performing 3D reconstruction in post. With the latest update, proprietary algorithms allow it to generate volumetric video in real time on a single server, which delivers immersive experiences as captured events unfold. “With eCapture Pro software and high- speed GigE cameras, our volumetric capture solution makes it easier for end users to capture, process, reconstruct and export models to create high-quality, immersive experiences,” said Ilett. 11.B05
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60 |
Page 61 |
Page 62 |
Page 63 |
Page 64 |
Page 65 |
Page 66 |
Page 67 |
Page 68 |
Page 69 |
Page 70 |
Page 71 |
Page 72 |
Page 73 |
Page 74 |
Page 75 |
Page 76 |
Page 77 |
Page 78 |
Page 79 |
Page 80