28
ADVANCED LOUDNESS CONTROL WITH AIXTREAM Ferncast
BY KEVIN EMMOTT
Boasting full FM processing, advanced loudness control for audio-on-demand and Fraunhofer certifi cation, Ferncast’s aixtream v3.8 release is making its debut at IBC. The aixtream audio workfl ow software now includes full FM processing via Thimeo’s Stereo Tool, which also includes MicroMPX encoding for STL. MicroMPX transports a full FM composite MPX signal at 320kbit/s, including pilot and RDS. Ferncast claims it offers nearly lossless FM encoding and maintains peak control, even when
Full FM processing is courtesy of Thimeo’s Stereo Tool, with MicroMPX encoding for STL
using composite clipping. The Stereo Tool user interface is fully integrated and supported within aixtream, providing users with access to the full suite of Stereo Tool options.
The implementation in aixtream
of xHE AAC has been approved by Fraunhofer and is now part of the xHE-AAC Trademark Program. The v3.8 update also delivers loudness control for audio on demand, support for HLS segment lengths down to 1 second, the
ability for WebRTC listen-in to allow multiple client listeners, improved AES67 compatibility with systems from other vendors, and the ability to trigger applets with an action delay. 8.F80
ONE-FINGER STREAMING ON THE MOVE
Promwad BY KEVIN EMMOTT
Journalists, podcasters and infl uencers taking their fi rst steps into live video streaming might want to visit Promwad Engineering on the Made in Germany stand in Hall 8 where the company is introducing its new OneClick Streamer mobile application. OneClick Streamer provides a live video stream in RTMP format for effi cient low- latency video delivery over the internet. Its core feature is its user-friendly interface: users are live in just one click, eliminating the complexity of traditional streaming setups and providing simple integration with major media platforms and social networks such as Instagram, Facebook, YouTube, TikTok and other media platforms with the support of custom RTMP links. Users can simply add their channel or insert the RTMP URL
TELESCOPIC SYSTEMS MOVE INTO POLE POSITION
Shenzhen Tiptop Technology
BY DAVID FOX
OneClick Streamer provides a live video stream in RTMP format
and stream key to connect. Furthermore, its AI-powered noise cancellation fi lters out background noise to ensure audio is clear, to keep the audience focused on the message. The OneClick Streamer demo app is available on Android, although Promwad says it is also developing a version for iOS. 8.A23c
Tiptop’s new Carbon Fibre Endzone Camera System is primarily designed for sports, whether as an aid to training and game analysis or for broadcast or live streaming use. There is also a new Aerial Photography Pole System, suitable for covering music festivals or other large-scale events, where its light weight and small footprint allows it to fi t into a tight corner to safely offer a high-level viewpoint. Both systems extend up to 13m in height, allowing users to take elevated photos and videos quickly without having to use drones or lifters, and can be set up in less than two minutes. They are made from a mix of high-strength carbon fi bre, fi breglass and composite materials, and come in variants with six to nine extendable sections, giving extended heights of 6m, 8m, 10m or 13m (with collapsed heights of 1.33m,
1.73m, 1.87m or 1.94m). The maximum pole diameter is 51mm, with 1/4in and 3/8in screw universal camera mounts. They can come with a phone or tablet holder for use as a monitor and an aluminium tripod. 11.B43
Tiptop telescopic technology: The Aerial Photography Pole System
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60 |
Page 61 |
Page 62 |
Page 63 |
Page 64 |
Page 65 |
Page 66 |
Page 67 |
Page 68 |
Page 69 |
Page 70 |
Page 71 |
Page 72 |
Page 73 |
Page 74 |
Page 75 |
Page 76 |
Page 77 |
Page 78 |
Page 79 |
Page 80
