This page contains a Flash digital edition of a book.
132 EXPO


1


2


3


4


5


6


7


1. The FBT stand. 2. K-array’s Alessandro Tatini, Francesco Maffei and Leonardo Dani. 3. Keith Watson Marketing Director for Soundcraft. 4. Pioneer’s immersive room was a vibrant and tactile hub of activity. 5. IAG Group’s Ryan McKenna. 6. GCI Technologies’ David Cabasso and Rob Peck. 7. QSC’s Ray van Straten, Savannah English and Phil Sanchez with the newly introduced KLA Series.


and include QSC’s proprietary Intrinsic Correction, first introduced with the QSC WideLine Series, for optimal acoustical performance across the entire sound field. For its first formal participation at the NAMM Show in more than a decade, Meyer Sound held a series of product demonstrations to offer live music professionals a taste of the Constellation acoustic system and its ability to alter the acoustical properties of a performance venue. Special guest Bob Weir (formerly of the Grate- ful Dead) spoke about the Constellation system recently installed at his recording facility. Meyer Sound’s new D-Mitri digital audio platform was also shown in action serving as the backbone for the Constellation system. Electro-Voice launched the Live X Series of portable powered and passive loudspeakers. Comprising three powered and four passive models, Live X sets new standards for portable sound, with the latest Electro-Voice-engineered components; lightweight, durable plywood cabinets; best-in-class SPL output, powerhandling, and frequency response; and clean, stackable designs - all at a very attractive price point. The show was also the global launch for EV’s R300, a wireless microphone system that opens up an entry-level professional category in the wireless marketplace. The company also introduced the RE320, the latest


www.mondodr.com


addition to the RE Performance group of wired mics. Italian loudspeaker manufacturer RCF presented an array of products at the NAMM Show. One of the latest additions to the TT+ High Definition Touring and Theatre range is the new TTL11A digitally steerable array. With the addition of the new TTS26-A subwoofer, the new column array becomes a powerful, compact and high definition live sound system. The TTL11A is an active column speaker array system composed of two modules, one for the mid-high and one for the bass frequencies. The TTL11A-H is the HF module and is equipped with four 2.5-inch neodymium compression drivers with 1.5-inch exit throat. The TTL11A-B is the bass frequency section of the system and features four 8-inch neodymium woofers with 2.5-inch voice coil for a perfect and powerful mid-bass response. The Art 7 and Art 4 active speakers Series are the latest additions to the Art Series. Both the Art 7 and Art 4 Series combine audio quality with the latest digital amplification technology. The Art 4 Series speakers are equipped with a powerful DSP, which manages crossover, EQ, soft limiter, compressor and dynamic boost bass. All the models of the Art 4 Series feature two special EQ presets: Extended Frequency Response, which slightly emphasises the bass response for playback


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95  |  Page 96  |  Page 97  |  Page 98  |  Page 99  |  Page 100  |  Page 101  |  Page 102  |  Page 103  |  Page 104  |  Page 105  |  Page 106  |  Page 107  |  Page 108  |  Page 109  |  Page 110  |  Page 111  |  Page 112  |  Page 113  |  Page 114  |  Page 115  |  Page 116  |  Page 117  |  Page 118  |  Page 119  |  Page 120  |  Page 121  |  Page 122  |  Page 123  |  Page 124  |  Page 125  |  Page 126  |  Page 127  |  Page 128  |  Page 129  |  Page 130  |  Page 131  |  Page 132  |  Page 133  |  Page 134  |  Page 135  |  Page 136  |  Page 137  |  Page 138  |  Page 139  |  Page 140  |  Page 141  |  Page 142  |  Page 143  |  Page 144  |  Page 145  |  Page 146  |  Page 147  |  Page 148  |  Page 149  |  Page 150  |  Page 151  |  Page 152  |  Page 153  |  Page 154  |  Page 155  |  Page 156  |  Page 157  |  Page 158  |  Page 159  |  Page 160  |  Page 161  |  Page 162  |  Page 163  |  Page 164  |  Page 165  |  Page 166  |  Page 167  |  Page 168