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I would describe both as being people businesses which means there’s a strong emphasis on building and sustaining relationships. I think gaming and travel have many more similarities than they do differences.


What are the marketing challenges of promoting an event that hasn’t been staged for two years - that you haven’t yet experienced - and there remains the lingering doubt of Covid disruption?


Jeannette Gilbert Head of Marketing, Clarion Gaming


We’ve made a significant investment across a


programme of qualitative and quantitative research including workshops, focus groups and surveys. We’ve been very conscious of avoiding the mistakes made by many brands who ask the right questions of their stakeholders and customers but don’t act on the answers. Jeanette Gilbert


Jeannette - you’ve moved from the travel industry to gaming - what are the similarities and differences between the two sectors and what are your most relevant transferable skills?


I joined Clarion Gaming from Reed Travel Exhibitions where I was Head of Marketing and Communications, completing two decades experience working in the events, travel and tourism sectors. My career has included launching an airline start-up in East Africa, developing marketing strategies for international conglomerates including Celebrity Cruises, and closer to the gaming sector working for multinational hotel and retail company Whitbread PLC.


At Reed I was responsible for implementing a range of business-critical initiatives including the creation of a long-term marketing communications and partnerships strategy, the development and delivery of a brand content and channel distribution strategy in addition to launching two new brands.


In the close to 12-months working on the Clarion Gaming portfolio I think there are a number of similarities. Gaming, like travel, is a fascinating industry and one which is hugely competitive. Both have highly driven and successful entrepreneurs and there’s a positively disruptive culture with new entrants constantly challenging accepted ways of doing things. Technology is important to both sectors and to be successful businesses have to be agile and not afraid of challenging convention.


In some ways it may be easier not to have experienced ICE London pre-Covid in that I’m approaching the challenge fresh and without any pre-formed views. We’ve made a significant investment across a programme of qualitative and quantitative research including workshops, focus groups and surveys. We’ve been very conscious of avoiding the mistakes made by many brands who ask the right questions of their stakeholders and customers but don’t act on the answers.


Measuring customer sentiment has enabled us to understand motives, needs and requirements and how they have changed since Covid. We also have the benefit of having staged iGB Live!/iGB Affiliate Amsterdam in the autumn which helped us to gauge the appetite for the return of in-person.


What we know is that ICE sentiment is as strong as ever. Registration is tracking ahead of where we were at the same stage of the campaign in support of ICE 2020 and drilling down into who is registering for ICE London, we can see more decision makers and more of gaming’s C-suite signing-up to be part of the ICE experience earlier than ever before. In terms of the focus, there’s a huge emphasis on businesses wanting to network and establish new partnerships and meet new suppliers after a two-year hiatus.


An additional curveball for ICE is Brexit and the uncertainty and disruption this could cause next year. Is it possible to allay fears through the messaging Clarion conveys about ICE?


Once again, we are able to draw on the findings of our research and the data that we are accumulating from the first months of registration. Te research we commissioned in July 2021 demonstrated the popularity of London as our host city. Tis was based on its position as a travel hub, a place to host customers, network with peers and hold meetings with senior members of the international industry.


Registration is showing a concentration of industry professionals who will be travelling to London from throughout Europe and this is the segment that will be most impacted by Brexit. Tis will be the first edition of ICE London staged since the UK exited the European Union and we will be closely monitoring the experience of both exhibitors and visitors to London in a post-Brexit world and feeding that back into the relevant government departments via our representative body the Association of Exhibition Organisers.


Te marketing message for ICE 2020 centres around the idea of “coming together.” Can you breakdown the concept into the strategy and the


WIRE / PULSE / INSIGHT / REPORTS P35


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