For the latest show news and updates follow #ISE2014 Projectors have ClickShare Inside BARCO
ClickShare Inside is the first in a set of optional modules for Barco projectors that integrate simple collaboration technology. Available from the second quarter of 2014, it is being unveiled on the Barco stand. After integrating ClickShare Inside under the hood of their Present projector, users can wirelessly share their content on- screen.
The ClickShare Inside module consists of a CSM Base Unit and an integration kit containing a bracket and three cables – HDMI, USB to RS-232, and a power cable – and can be neatly fitted inside the projector. ClickShare functionality is automatically activated once the projector is switched on. Meeting participants can then easily share their content on-screen by means of a
ClickShare Button, or by installing the ClickShare Presenter app on their Android or iOS
smartphone or tablet. In addition, users can pair their ClickShare Buttons via their laptop as well as via the Base Unit’s USB port. “With our new Corporate
AV range, we are bringing style and simplicity into today’s meeting rooms,” said Peter Pauwels, director market development, Corporate AV at Barco. “By combining two of our flagship products into one, we are expanding the collaboration functionality of our projectors and continue to lead the way for smart visual collaboration.
ClickShare Inside can be integrated inside Barco Present projectors
“When developing our brand-
new Present projectors, we wanted them to be fully future- proof and to have ‘Intelligence Inside’. That’s why we’ve reserved some free space under their hood
for extra connectivity and networking add-ons. ‘ClickShare Inside’ is the first optional module we are launching within this ‘Intelligence Inside’ concept.” Stand: 11-H75, 11-F78
Speaker system has CobraNet backbone SOUNDTUBE
The STNet IP-Addressable speaker system provides a rack mountable 16-port switch and 40W PoE (Power over Ethernet) input power to its speakers along with report-back functions. Current speaker models include the in-ceiling IP-CM52- BGM, IP-CM52s-BGM, IP-CM62- BGM and IP-CM82-BGM, and the surface-mount IP-SM500i-II. Additional speaker models are slated to be added to the system in the future. Using a CobraNet backbone,
the system allows each SoundTube speaker on the network to be powered via Ethernet and individually set up
and equalised. Each can receive different audio signals and is
continuously monitored by the system to provide report-back status to the main control point. Any failure in the
speaker will
immediately trigger an alarm (either visible or audible), and the system can be configured to send an email message to the installer. The
STNet is compatible with all other CobraNet-enabled control systems, and multiple SoundTube switches may be linked for large speaker systems.
The IP-CM82-BGM in- ceiling speaker is part of SoundT
ube’s STNet IP- addressable family
In addition to the 16 Ethernet ports, the STNet- Switch includes two Gigabit ports for linking of switches and a port for connection to an external WAN. “IP-addressable
speakers are a great way for system integrators to manage networked audio throughout an installation,” said Duke Ducoff, parent company MSE Audio’s VP of sales. “With our speakers’ higher input power, IP-
addressable systems can now
have better room coverage along with the alarm reporting that makes these systems so useful.”
Stand: 11-C84
NEWS
J2K RAW cores to cut monster images down to size
INTOPIX
A range of JPEG2000-RAW IP- cores for FPGA is being showcased by intoPIX. The IP- cores are able to manage HD, 4K or 8K Bayer image sensor output from 10- to 16-bit, with an efficient, visually lossless compression at various frame rates. The new intoPIX JPEG2000
RAW IP-cores generate fully standard JPEG2000 files (ISO 15444-1) from a camera’s digital sensor to maximise cinema, TV production and post-production capabilities. This is achieved by storing each of the sensor’s colour channels separately, prior to conversion into a full colour image with an optimised and flexible rate allocation. Similar to the advantages of
RAW files, the technology preserves access to any de- mosaicing algorithms, and control over white balance, exposure and colour grading in post-production. Compared to using uncompressed RAW, intoPIX claims that a JPEG2000-compressed RAW file drastically reduces the file size while preserving pristine image quality. Claimed advantages of
shooting in compressed JPEG2000 RAW include enabling higher image quality within the constraints of the recording medium, compared to other formats at the same file size. The format’s wavelet scalability also enables features to be encoded at different formats separately. Stand: 10-K150
thedaily 2014 65
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60 |
Page 61 |
Page 62 |
Page 63 |
Page 64 |
Page 65 |
Page 66 |
Page 67 |
Page 68 |
Page 69 |
Page 70 |
Page 71 |
Page 72 |
Page 73 |
Page 74 |
Page 75 |
Page 76 |
Page 77 |
Page 78 |
Page 79 |
Page 80 |
Page 81 |
Page 82 |
Page 83 |
Page 84