#IBC2024
IMPROVED AUTOMATION CONTROL IS SO PREDICTABLE
Vinten (Videndum) BY DAVID FOX
Vega, Vinten’s new robotics control system, has been designed with a modern user interface, similar to mobile phones, while building on how automation has traditionally been used in the studio. It has also integrated advanced features, such as automated tracking that can predict where a presenter is moving next, to offer smoother camera moves. Neil Gardner, Product Manager, Robotics and Automation, Vinten, said: “Our previous control system started development 20 years ago, but it was betraying its age and diffi cult to maintain, so we’ve completely rewritten it from the ground up.” It offers “easy access to multiple
preset positions like a traditional interface, but studios are becoming much more dynamic”. The main concept, called Sets, “tells you what equipment is used for which production, so
you only have cameras on the control bar that are relevant to the programme being made”. Other features include geofencing for roaming pedestals, enabling collision mitigation, as well as presenter tracking with face recognition, using AI to analyse motion, to build automation specifi c to an individual and predict their next move. 13.A05
SOUNDS POLITICAL AND DIVINE Glensound
BY KEVIN EMMOTT
UK audio manufacturer Glensound is aiming to get IBC’s vote by highlighting a range of innovative products at the show, including its European Parliamentary Broadcast System. Designed to meet the diverse broadcasting needs of parliamentary environments and integrating up to 20 specialist hardware products, the system synchronises audio and video, incorporates security features and offers custom panels for audio management and voting capabilities.
Gardner: Vega has been ‘completely rewritten from the ground up’
Also on show is the Greater Divine Intelligent Network Audio, a self- powered two-way speaker unit with multiple audio inputs, PoE+, remote control and a variety of mounting options.
Glensound has also introduced the NSA16
BRINGING STRUCTURE TO MEDIA WORKFLOWS Projective Technology
BY KIRSTY HAZLEWOOD
Software provider Projective Technology is showcasing Strawberry Skies, a cloud-based project framework and workfl ow for real-time collaboration in postproduction.
Strawberry Skies can be fully hosted by Projective Technology, enabling project management, sharing and permissions, as well as comprehensive search capabilities and automation, combined with secure cloud access.
The framework allows users
to collaborate on creative projects in real-time, securely and fl exibly, from a range of creative applications. Derek Barrilleaux, CEO,
Projective Technology, said: “We are excited to meet our customers and partners at IBC2024 and present our latest innovations that will continue to drive the industry forward. “Strawberry Skies is
revolutionising postproduction for our clients. They’ve enjoyed unmatched effi ciency and cost savings, making it a transformative solution for businesses of all sizes.” 3.A44
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network signal adjuster, featuring 16 Dante inputs and outputs, level control for each channel pair or mono channels, and an optional group mix control. Meanwhile the GTM Mobile is an esports audio interface designed for live mobile tournament gaming with direct phone connection, fast charging, twin headphone amps, team talk mix, and versatile game audio sources.
Making their IBC debuts are the Dark Dawn 1616M interface and the AoIP22M, a small- format portable device with two analogue inputs and two analogue outputs for interfacing with a Dante/AES67 network. 8.F72
The European Parliamentary
Broadcast System bids to streamline parliamentary procedures
Collaborate in the cloud with Strawberry Skies
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