This page contains a Flash digital edition of a book.
088 VENUE


Image © Warren Jagger


A slightly different lighting configuration has been chosen for the Day Club. Four Martin Professional Atomic 3000 strobes and 10 Martin Professional MAC 350 Entour fixtures keep the space alive as day becomes night. Control for these spaces is networked into the Main Room’s grandMA2, with functional access through computer stations in each room. HP TouchSmart touch screen computers, with a mapped Livid Instruments Ohm64 midi controller, allows the other rooms to benefit from grandMA software on a much smaller package.


TECHNICAL INFORMATION


MAIN ROOM SOUND: 2 x Funktion One / SIA custom cluster (4 x Funktion One upper bass horn loaded enclosure; 5 x Funktion One 10-inch Axhead horns arranged in 120° point source arc along with 5 x hornloaded proprietary 1-inch HF driver); 2 x Funktion One / SIA custom cluster (2 x Funktion One 15-inch horn; 3 x 10-inch and 3 x 1-inch horn); 8 x Funktion One F221 bass cabinet; 10 x Funktion One Resolution 2 full-range speaker; 20 x Funktion One F101 speaker; 10 x Funktion One 18-inch subwoofer; MC² E90 amplification; XTA and BSS Audio processing; 1 x Yamaha LS9-16 digital mixing console; 1 x Yamaha MY16-AE expansion card; 1 x 15-inch ELO Touch Screen controller running BSS Audio London Architect DJ: 2 x Pioneer DJM-800 DJ mixer; 5 x Pioneer CDJ-2000 CD deck; 1 x Pioneer EFX-1000 digital effects unit; 4 x Technics SL-1210M5SG turntable; 3 x Rane Serato unit; 2 x Shure SM58 mic; 2 x Shure ULXP24D / BETA58 wireless mic; 2 x Funktion One Resolution 3 speaker (monitor); 2 x Turbosound NuQ-12 monitor speaker LIGHTING: 6 x Show Motion / SJ Lighting pod (2 x Elation Professional Design Design Spot 300 Pro fixture; 16 x Birket Speciality Lighting 7W LED Strobe-Brik; 16 x Philips Color Kinetics 6-inch iColor Cove; 1 x RSC Lightlock); 8 x Elation Professional Opti Tri Par; 6 x Elation Professional Design Spot 300 Pro; 2 x Vari-Lite VL1000AI moving head; 8 x Vari-Lite VL1000AS moving head; 6 x Vari-Lite VL1000AS moving head; 10 x Martin Professional Atomic 3000 strobe; 3 x 4-Lite Audience Blinder; 1 x Lightwave 5W RGB laser; 8 x ETC Source 4 Ellipsoidal spotlight; 2 x Martin Professional Jem ZR44 fog machine; 2 x Reel EFX DF-50 hazer; 1 x Kryogenifex Liquid Nitrogen System LIGHTING CONTROL: 1 x MA Lighting grandMA2 Light lighting desk; 336 x ETC Sensor+ dimmer; 120 x ETC Smart-Switch relay; 8 x ETC Paradigm architectural control processor; ETC Net3 DMX gateway; 2 x Livid Instruments Ohm64 MIDI controller VIDEO: 25ft x 32ft LED wall (84 x GLIC 16mm Indoor Mesh 2.5); 1 x Barco FLM R22+ projector; 2 x Barco SLM R12+ projector; 1 x Barco Folsom ImagePRO HD signal processor; 4 x Barco Folsom DCS-100 switcher / scaler; 1 x Green Hippo Hippotizer HD V3 media server; 1 x V Squared Labs DJFX content server; 1 x Crestron Pro2 CPU; 1 x Crestron Remote Touchpanel; 4 x Apple iPad; 1 x Apple Mac mini; 2 x Apple Mac Tower; 1 x Apple iMac workstation; 1 x HP Z800 workstation; 1 x DJFX Custom Derivative TouchDesigner System; 1 x hexler TouchOSC app; 1 x Modul8 VJ software


www.marqueelasvegas.com


The Library


Marquee is a massive, multi-room playground, which is rife with bespoke technologies. Take the Main Room’s sound, lighting and visual designs, for example. Each has been created through the meeting of great minds, creative vision and first class technology. Everything in the club is focused on giving the customer a unique clubbing experience, a childlike adventure in an adult context. And it goes to show that when you bring together the expertise of creative people who are capable of working together, and put in place a budget that allows creative freedom, you can create places as outstanding as Marquee. Or, at least, you can in Vegas.


www.mondodr.com


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95  |  Page 96  |  Page 97  |  Page 98  |  Page 99  |  Page 100  |  Page 101  |  Page 102  |  Page 103  |  Page 104  |  Page 105  |  Page 106  |  Page 107  |  Page 108  |  Page 109  |  Page 110  |  Page 111  |  Page 112  |  Page 113  |  Page 114  |  Page 115  |  Page 116  |  Page 117  |  Page 118  |  Page 119  |  Page 120  |  Page 121  |  Page 122  |  Page 123  |  Page 124  |  Page 125  |  Page 126  |  Page 127  |  Page 128  |  Page 129  |  Page 130  |  Page 131  |  Page 132  |  Page 133  |  Page 134  |  Page 135  |  Page 136  |  Page 137  |  Page 138  |  Page 139  |  Page 140  |  Page 141  |  Page 142  |  Page 143  |  Page 144  |  Page 145  |  Page 146  |  Page 147  |  Page 148