126 EXPO
1
2
3
4
5
6
7
8
9
10
1. The Camco stand. 2. The coolux team. 3. Larry Busch of ADB Lighting. 4. Kirsten Eicher, Iris Dierks and Andreas Niemann of Look Solutions. 5. APart Audio’s Kris Vermuyten. 6. Proel’s Dominic Harter. 7. The JB Lighting stand. 8.Midas Klark Technik exhibited with distributor Mega Audio.
9.Philips’ Maartje Remmers.
10.Costa Lakousta of The Music Group.
EtherSound stagebox was also on display. JB Lighting presented two new figures. Firstly the A8, an LED washer, which has 37 RGBW multi-chip LEDs and has hexagonal exit lenses. Secondly, the A12 LED washlight. The fixture is characterised by sophisticated software and is designed for big stages and for applications where an extra bright washlight is required. K-array introduced the Blueline KB1 portable personal sound system to the PL+S visitors. It also displayed products from its existing and popular ranges Redline, and the Tornado Series. K.M.E. presented the new VL3i a professional, compact speaker system, the VB 208 a highly stressable and lightweight passive subwoofer, and the VSS 28 a very compact and lightweight subwoofer. L-Acoustics was pleased to announce version 1.8 of its 3D Simulation software Soundvision at Frankfurt. And having recently joined the certified Creston Inte- grated Partner Program, L-Acoustics also announced that the module developed in collaboration with Crestron is available for immediate download. Link’s DGlink multiprotocol digital snake teamed up with Yamaha,
Lab.gruppen and Tannoy to present a completely digital working network for live performances. Using Link’s DGlink Stage Box digital snake as the heart of the system and Audinate’s Dante self-configuring, plug-and-play digital audio network, in conjunc- tion with the Yamaha M7CLES console,
Lab.gruppen’s PLM14000 amplifiers, and Tannoy speakers. Link has created the first all digital open network system serving the stage to console, to processers and amps, to FOH PA and monitors. Mackie introduced two new mid-format analog consoles, each featuring dual in- ternal FX processors, dedicated compression and 4-track recording via USB - the 24-channel 2404-VLZ3 and 32-channel 3204-VLZ3. In addition it presented the newest member of the Thump Series, the Thump TH-12A, and announced a com-
www.mondodr.com
plete redesign of its bestselling line of ultra-affordable powered studio monitors - the MRmk2 Mackie reference monitors. Martin Audio displayed the new DD6, an ultra-versatile and compact, multi-angled enclosure based on differential dispersion horn technology, which is the first in a new line of products that will eventually replace the classic Wavefront range. It added two outstanding new products to its best selling Blackline+ range, the new Blackline X12+ and Blackline X15+. Martin Audio also scooped the prestigious MIPA Musikmesse International Press Award for Best PA System at the exhibition. By setting new standards in performance for LED-based lights and video displays, Martin Professional is increasingly being recognised as the market leader in LED. Just a few of the LED highlights on its stand this year were EC-10, MAC 101, and Stagebar 2, as well as a selection of controllers and software solutions in the form of the Fixture Beam Analyser and Maxedia 4.4. Meyer Sound went beyond static displays to give visitors an intimate, hands-on ex- perience of its comprehensive audio system solutions, many of which were better shown than told. Working products that were demonstrated included the D-Mitri digital audio platform, a range of loudspeaker and system integration tools, and the Constellation acoustic system. Midiator presented a preview of the upcoming 2.0 version of the VisionOS with a lot of revolutionary new features. These include a new cue engine, various easy programming options and a groundbreaking new state engine for full bi-directional control of many contemporary show-devices. The fruits of Optocore’s new strategic partnership with Clear-Com, demonstrated in the new V3R-FX-Intercom for Clear-Com (four Intercom channel unit) and X6R- FX 8 Intercom for Clear-Com (eight Intercom channel unit), received an enthusias- tic reception from press and customers alike.
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60 |
Page 61 |
Page 62 |
Page 63 |
Page 64 |
Page 65 |
Page 66 |
Page 67 |
Page 68 |
Page 69 |
Page 70 |
Page 71 |
Page 72 |
Page 73 |
Page 74 |
Page 75 |
Page 76 |
Page 77 |
Page 78 |
Page 79 |
Page 80 |
Page 81 |
Page 82 |
Page 83 |
Page 84 |
Page 85 |
Page 86 |
Page 87 |
Page 88 |
Page 89 |
Page 90 |
Page 91 |
Page 92 |
Page 93 |
Page 94 |
Page 95 |
Page 96 |
Page 97 |
Page 98 |
Page 99 |
Page 100 |
Page 101 |
Page 102 |
Page 103 |
Page 104 |
Page 105 |
Page 106 |
Page 107 |
Page 108 |
Page 109 |
Page 110 |
Page 111 |
Page 112 |
Page 113 |
Page 114 |
Page 115 |
Page 116 |
Page 117 |
Page 118 |
Page 119 |
Page 120 |
Page 121 |
Page 122 |
Page 123 |
Page 124 |
Page 125 |
Page 126 |
Page 127 |
Page 128 |
Page 129 |
Page 130 |
Page 131 |
Page 132 |
Page 133 |
Page 134 |
Page 135 |
Page 136 |
Page 137 |
Page 138 |
Page 139 |
Page 140 |
Page 141 |
Page 142 |
Page 143 |
Page 144 |
Page 145 |
Page 146 |
Page 147 |
Page 148