This page contains a Flash digital edition of a book.
034 REPORT


UNIVERSITY OF SOUTHERN CALIFORNIA


Company: Martin Professional Location: Los Angeles, USA


Photo by Joel Zink


Two venues in the University of Southern California’s (USC) new student centre, the Ronald Tutor Campus Center, feature Martin Professional lighting installations: the Trojan Grand Ballroom and Tommy’s Place. Both installs, completed over the summer, are managed by USC’s Department of Performance Venues. The Trojan Grand Ballroom is a classic 1000-capacity multi-purpose venue with a proscenium stage used for a variety of events like formal dinners and receptions, student group performances, and guest musicians. Tommy’s Place, connected to the on-campus bar, is a 400-capacity entertainment venue with a stage for live performances. Both venues feature conventional and moving lights hung on straight truss over the stage and house, with power and rigging designed as flexible as pos- sible for future additions or changes. Brandon Operchuck, Director of Performance Venues (full-time staff member) and Steve Farquhar, Lighting Director of Performance Venues (student staff member) handled the system and lighting design and also took on the role of installation foremen. Both venues feature Martin lighting packages: MAC 350 Entour and MAC 301 Wash moving heads, Atomic 3000 strobes and Jem K1 Hazers, and Martin M1, Maxxyz Compact and MaxModules for lighting control. “We researched and demoed a lot of gear and the MAC 350 Entour was a pretty clear choice,” Brandon commented, adding that the fixture is the perfect size with the right feature set and price range for the two venues. “Plus, since its functional- ity was as good as lamp discharge fixtures, the LED source was the kicker. We have been unbelievably impressed with it. It performs great - optically, mechanically - next to other discharge fixtures two or three times the price. It has a great beam and output, perfect dimming, and good movement. And it takes so little power!” Brandon said that once they decided to go with the MAC 350 Entour, the MAC 301 followed. “Compared with similar LED wash fixtures, the MAC 301 is a leader and


www.mondodr.com


there isn’t much competition at that size,” he stated. “It’s a great rock ‘n’ roll light. It has great primary colors, strong output, a nice beam, quick movement, and the zoom is nice to have.” The switch to LED fixtures has given the Department of Performance Venues, and the University, several advantages. Less heat created means there are fewer issues, and in heavy-use environments like the Ballroom and Tommy’s Place there are fewer lamps to monitor and replace. “The low power consumption is green but practically allows us to run our entire mover rig on only a handful of 120V 20A circuits,” Brandon stated. The choice of lighting consoles came down to features vs price with many of the competitor consoles in the Martin price range lacking in terms of software features, an intuitive interface, and playback functionality. Brandon commented: “Frankly, for most of our uses, the extra features of the larger consoles just didn’t justify the price difference. Overall, the Martin consoles offer top-notch features at a lower price plus the promise of continued development - we like the trajectory of the consoles - was encouraging. Lastly, because we were looking for two different size consoles to be used by the same users, it was tempting to have the exact same software running on both; with other companies there were usually (at least) small differences.” Brandon chose the new M1 lighting console, Martin’s new ergonomic desk that provides fast and intuitive operation in a portable and affordable package, for the Trojan Grand Ballroom. “The M1 has amazing utility in a small package and consid- ering the price, it’s unmatched,” he stated. “The software is just as powerful as the Maxxyz Compact and it’s nice that it’s identical, which makes it easy to transition users as well as show data. It is an all-in-one package that we can take anywhere and have the power of a full lighting console.


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95  |  Page 96  |  Page 97  |  Page 98  |  Page 99  |  Page 100  |  Page 101  |  Page 102  |  Page 103  |  Page 104  |  Page 105  |  Page 106  |  Page 107  |  Page 108  |  Page 109  |  Page 110  |  Page 111  |  Page 112  |  Page 113  |  Page 114  |  Page 115  |  Page 116  |  Page 117  |  Page 118  |  Page 119  |  Page 120  |  Page 121  |  Page 122  |  Page 123  |  Page 124  |  Page 125  |  Page 126  |  Page 127  |  Page 128  |  Page 129  |  Page 130  |  Page 131  |  Page 132  |  Page 133  |  Page 134  |  Page 135  |  Page 136  |  Page 137  |  Page 138  |  Page 139  |  Page 140  |  Page 141  |  Page 142  |  Page 143  |  Page 144  |  Page 145  |  Page 146  |  Page 147  |  Page 148