1062 1077 30 years of partnership 37 1070


A Day in the Life of a New Activity Centre for the Homeless, Providence Row, London E1 (photograph by Tim Brotherton)


Photographic prints Featherstone Young


Conceptually, the faceted mask elevation with its colourful, irregular treatment gives character and a strong identity to a building that serves homeless people – a group within society that is frequently ignored.


1071 Olympic Light Laser-cut print on paper in light box Anne Desmet RA


Tis laser-cut image of the Olympic Stadium, printed on black paper presented in a light box, was developed digitally from one of a series of 18 wood engravings made between 2009 and 2012. Tese engravings chart the changing landscape and the developing architecture of the London Olympic site. Te image was made as part of a collaborative project with Liverpool Hope University’s fine art department.


1072 A.I Station Photo-etched metal plate


José Manuel Garrido Molina


Te train station was designed for Molina’s daughter. Te sectional model is made out of a photo-etched metal plate.


1073 Spring Black ink on paper Leonard Manasseh RA


A Royal Academician for 33 years, Manasseh has six pieces of work in this year’s summer show. Spring – a black ink drawing on paper, which shows flowers sitting in front of a jagged landscape – differs from Manasseh’s coloured ink pieces that were submitted to the exhibition.


1074 Nantymoel III Gouache on paper Jacqueline Poncelet


Te painting draws inspiration from Peckham in London and Ogmore Vale in South Wales. Te overlapping translucent colours of the sky or the many flecks of colour that together make up a landscape. At the same time their forms can be read as part of the geometry of architecture or the tiny spaces seen between buildings.


1075 Growth


Watercolour and coloured ink on watercolour paper Leonard Manasseh RA


Tis piece, artistically composed using watercolours and coloured ink on watercolour paper, depicts flowers in an abstract maze of bright colours. Manasseh’s paintings are known for showing a similar exuberance and delicacy to that of his buildings.


1076 Fly Past


Watercolour and coloured ink on watercolour paper Leonard Manasseh RA


Troughout his career, Leonard Manasseh has demonstrated his commitment to modernist principles applied with a delicacy and lightness of touch. Tis is illustrated in Fly Past, one of his entries to this year’s show, composed of watercolour and coloured ink.


1077


South Facade of Victoria Library (drawn and designed by Patrick Lynch & Lynch Architects) Watercolour paper, drawing and print Patrick Lynch Architects


Te new library on Victoria Street is part of a scheme by Lynch architects. Te relationship between the infrastructural technology that typifies this central- London street is complimented by architecture and ornamented by sculptures and materials that emphasise the humanistic aspects of city life.


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