2012 Index 30 1012


Cornice Proposal, Piccadilly Polyurethane model board Richard Deacon RA


In a collaboration with Eric Parry, the sculptor Richard Deacon has remade the cornice as a ‘chopped-up’ performance of 14 variable prismatic forms for his St James’ Gateway scheme for Piccadilly. Tis model articulates the proposal for a facade clad with these glazed ceramic panels.


1013


Museum Folkwang: Gallery View (photograph by Ute Zscharnt)


Photographic print David Chipperfield RA


At the new Museum Folkwang extension, the colour of the facade – consisting of translucent, alabaster-like rectangular recycled glass slabs – shifts with the changing natural light, and is explored in this photographic print.


the lend lease / architects’ journal awards


1014


House of Dialectics (Section)


Relief: pencil, coloured pencil


Daniel Schinagl


Taking a study of the South Bank of the River Tames as its starting point, this project proposes a language school, which floats above a cut in the landscape. Underground rooms house a reading hall, which becomes a wall of books, and teaching labs are housed in the tower.


1015


Røldal Pilgrimage Centre, Norway Hand and computer drawing Birds Portchmouth Russum Architects


A combination of computer rendering and hand drawing, this image shows Birds Portchmouth Russum Architects’ proposal for the historic Røldal Church and new Pilgrims Visitor Centre, Norway. Here the structures are united in this proposal by an elliptical public space evoking the traditional historic gathering spaces known as ‘church hills’. Te visitors’ centre contains new exhibition, restaurant and support spaces, together with a new Chapel of Rest.


02_ 3-6


03_ 3-6


04_ 4-5


05_ 3-5


06_ 3-6


07_ 7


08_ 3-8


09_ 2-9


10_ 6


11_ 4


12_ 5


13_ 3-7


14_ 3-5


15_ 5-15


16_ 4-7


17_ 4-8


18_ 4-11


19_ 4-6


20_ 4-6


21_ 6


22_ 4-6


23_ 3-4


24_ 3-8


25_ 3-7


26_ 4-7


27_ 5-6


28_ 6


29_ 5


30_ 4-5


31_ 4-5


32_ 4-5


33_ 5-8


34_ 4-5


35_ 4


36_ 4-6


37_ 3-5


38_ 3-6


39_ 3-6


40_ 4


41_ 5


42_ 3-5


43_ 4-7


44_ 3-5


45_ 4-5


46_ 3-6


47_ 4-5


48_ 4-5


49_ 3-6


50_ 4-5


51_ 4-6


52_ 3-5


53_ 4-5


54_ 3-7


56_ 3-6


57_ 3-4


58_ 4-6


1016


Ny Valer Church, Norway


Hand and computer drawing


Birds Portchmouth Russum Architects


Located alongside the existing chapel and as traditional Nordic stave churches, this is constructed of timber ribs and panels set on a stone plinth.Te ancillary wing is clad with half-cut timber logs to relate to its serpentine form and its woodland setting.


1017


Composition 09J Mixed media Chris Burrows


In this multi-dimensional space, linear is overlaid onto both linear and curvilinear, while three-dimensional geometries are overlaid onto two dimensional ones. While each component layer possesses simplicity and certainty, the interactions between them generates complexity and uncertainty. Composition 09J is one instance in an ongoing series of works, in a controlled yet open-ended process of evolution and exploration.


1018 Typology Study: Trieste Ink on paper Chris Raeburn


58_ 4-6


59_ 4-7


60_ 3-6


61_ 3-5


62_ 5-6


63_ 5-6


64_ 3-5


Typology Study forms part of a diploma thesis project on how Trieste has been shaped by contemporary immigration and urban typology. Inspired by an 18th-century gridded quarter of the city, the urban typology was reinterpreted for a contemporary model. Tis collage of models was part of an investigation of type within the existing grid.


1019


Digital Plaster-Scenario III (project team: Manuel Jimenez, Roberto García, Stella Dourtme, Claudia Ernst; tutor: Teodore Spyropoulos)


Print CTRL+M Digitalplaster


Digital_Plaster uses patterning methods to explore structure, fabrication and spatial configuration. By studying cast plaster in flexible formwork, it evaluates structural performance and material distribution.


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