This page contains a Flash digital edition of a book.
DIRECTORY 133


DIGICO | LITTLE RED BOX & LITTLE BLUE BOX www.digico.org


DiGiCo’s Little Red Box is specifically designed to work with DiGiCo’s SD9 digital mixing console and allows you to connect a D-Rack or a MADI Rack (DiGi-Rack or MiNi-Rack) to two SD9s. Currently, a single D-Rack only allows you to connect to one SD9, with no way of sharing the rack. The Little Red Box, however, will allow you to plug in your D-Rack, main console and a secondary console. The main console controls all gains, as well as outputs on the rack, whilst the secondary console acts as a ‘receive only’ module for the inputs, allowing you to share a rack and operate either FOH or monitors. DiGiCo’s gain tracking system can be activated when required. The Little Blue Box, meanwhile, allows you to connect an SD9, D-Rack and MADI console (SD8, SD7 or even a D-Series), thus allowing you to share a D-Rack between two or three consoles. The SD9 / MADI switch allows you to select between the SD9, or whatever console is plugged in to the MADI connector to control the D-Rack. Both boxes are powered via USB, with a second USB port acting as a ‘thru’, meaning there is no loss of available connections.


ETC | SOURCE FOUR XT HID www.etcconnect.com


ETC combines the Source Four zoom optical system with a unique, watertight housing to create the Source Four XT HID. Powered by the 12,000 hour Philips MasterColor CDM lamp, Zoom XT is IP65 rated for exterior lighting use and is ideal for gobo / pattern projection and tight shutter cuts on specific structures or architectural details. The forward portion of the housing removes completely for beam sizing, focus, gobo insertion and shutter adjustments, while the remov- able housing is designed to hang conveniently on the yoke, freeing both hands for focus.


GLP | SPOT ONE www.glp.de


The Impression Spot One represents a breakthrough in providing the world’s first high powered RGB LED spot fixture. Light output is equivalent to a 700W discharge lamp and therefore truly usable in a wide range of applications. It contains a full feature set including rotating and indexing gobos, iris, prism, focus, zoom, effects animation, pan and tilt ... all of which are motorised. The RGB LED source retains high efficiencies, as no fragile glass colour system is required. To further minimise environmental impact, the baseless design reduces size, weight and transportation, whilst the fixture operates with near silent performance.


JBL | AE SERIES www.jblpro.com


JBL Professional has announced the addition of five new loudspeakers to its AE Series lineup. The 3-way AM7315/64 and AM7315/95 can be either bi- amplified or tri-amplified, while the 2-way AM7200/64 and AM7200/95 can either be bi-amplified or operate as a full passive system. The AL7115 low-fre- quency module is designed to work with the AM7200/64 and AM7200/95 in a low-profile array application where a full-range 3-way system is desired. The AM7315/64, AM7315/95, AM7200/64 and AM7200/95 utilise JBL’s exclusive CMCD Cone Midrange Compression Driver technology, which combines high efficiency with extended bandwidth both up and down the frequency range to seamlessly cover the entire vocal range. The 2432H 1.5-inch exit, 3-inch exit CMCD compression driver operates in conjunction with a rotatable Progressive Transition waveguide, which provides precise directivity control. Because the waveguide can be rotated, the loudspeakers can be used horizontally or vertically while maintaining an optimum coverage pattern. The AL7115 low-frequency module is designed to complement the AM7200/64 and AM7200/95 to create a full-range, extended-bass system. Using the JBL PAF-3K planar array frame kit, the AL7115 can be fitted between two AM7200 mid-high loudspeakers to form a low profile, three-wide full-range array.


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95  |  Page 96  |  Page 97  |  Page 98  |  Page 99  |  Page 100  |  Page 101  |  Page 102  |  Page 103  |  Page 104  |  Page 105  |  Page 106  |  Page 107  |  Page 108  |  Page 109  |  Page 110  |  Page 111  |  Page 112  |  Page 113  |  Page 114  |  Page 115  |  Page 116  |  Page 117  |  Page 118  |  Page 119  |  Page 120  |  Page 121  |  Page 122  |  Page 123  |  Page 124  |  Page 125  |  Page 126  |  Page 127  |  Page 128  |  Page 129  |  Page 130  |  Page 131  |  Page 132  |  Page 133  |  Page 134  |  Page 135  |  Page 136  |  Page 137  |  Page 138  |  Page 139  |  Page 140