#IBC2023
CREATING AN INTERCONNECTED PRODUCTION WORKFLOW
Andreas Panozzo, CTO, SI Media (Italy)
The broadcast industry is evolving at a pace that is challenging all vendors at the highest level. Trends and priorities are constantly changing, pushing us to a constant effort to understand and, if possible, anticipate, the competition. Our R&D has always been driven by this need and by the input of our customers.
This is also the main reason why we decided to develop the YES! Framework, an end-to-end solution that provides a modular, scalable and fully customisable software platform which includes around 25 modules and plug-ins for playout automation, newsroom computer systems, media asset management and broadcast management systems.
Since we launched YES! Framework, we have never stopped developing and implementing new features for our clients all around the world. With the latest developments in Q1 and Q2 of this year, we decided to focus on creating an even more integrated
and interconnected production asset management system, YES!PAM, with its own user interface natively web-based, as is the rest of our platform, and to empower the capabilities of our NL proxy editor.
“We expect remote collaborative productions to become a massive trend for our industry in the next 12 months”
SI Media PAM provides complete integration with third-party non-linear editing systems. SI Media’s dedicated plug-ins ensure seamless workfl ow collaboration between YES! and Adobe Premiere Pro, DaVinci Resolve and Grass Valley Edius, all updated to the latest available versions. Through a dedicated YES! extension, users can browse the media library working from the craft editing application; and search, browse and drag and drop any asset into the editor bin or timeline. This signifi cantly facilitates remote
4K60 EPTZ REVAMPED WITH NDI Marshall Electronics BY ADRIAN PENNINGTON
An NDI|HX3 version of an ultra-wide 100° angle-of-view streaming POV camera is debuting at IBC. Capable of UHD resolution up to 60fps, the CV420Ne features a 9.5MP 4K sensor with NDI|HX3, HDMI and USB options. The model offers robotic digital movement of pan, tilt and zoom (ePTZ) of HD resolutions within the larger UHD sensor space, allowing users to maintain access
working, as YES!PAM even allows users to easily download content locally for quicker high-res editing. Files will then be processed by the centralised workfl ow engine, creating an integrated system that is versatile and suitable for remote collaborative productions. Moreover, an embedded low-resolution video editing tool is available with SI Media’s YES!ProxyEditor application, suitable for quick actions such as cut editing, audio editing, voiceover, watermarking and basic audio/ video effects. It’s designed to improve speed and collaboration during news production, centralising the rendering of projects or the export to third-party craft editing applications, to fi nalise the editing job, better managing peak times, saving time and reducing any network bottlenecks. We expect remote collaborative
productions to become a massive trend for our industry in the next 12 months, therefore this IBC plays an essential role in engaging our clients and our partners in this challenge. 7.C11
67 OPINION
to ultra-wide angles along with usable digital zoom and lateral manoeuvres within the sensor. It utilises the new NDI|HX3 codecs with access to NDI5.5 tools, USB3.0 connectivity with Barco certifi cation, and traditional HDMI workfl ows.
The 4.5mm lens features a 100° angle-of-view delivering high- quality video with no spherical distortion. The digital PTZ offers more than 250 presets selectable from command sources including IR remote, NDI|Tools, Camera Control Software, web browser GUI, OBS plug-ins, vMix and a
Now with NDI: The CV420Ne is set for pro-AV and broadcast applications
host of other compatible soft codecs and devices. With the latest NDI|HX3 codec, the camera can be incorporated into various streaming and production workfl ows, with the same low latency as Full-NDI
at less than 100ms end-to-end. The new format requires slightly higher bandwidth than the previous NDI|HX2 but much less than is required for Full NDI|HB, according to Marshall. 2.A47
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