This page contains a Flash digital edition of a book.
Interactive CASINO TELEVISION ADVERTISING


The advert feels like it’s advertising a land-based gaming environment - is that how you’re posi- tioning your online presence?


We are talking to both audiences. Any online business needs the base of triangle, the mass- market, which is complemented by high-rollers with strong margins. We have deliberately sought to reach to these players as it reassures them that they are making the right choice with Genting. We should be something players aspire to, and at Genting we deliver on those aspirations.


out there that is entirely appropriate for other online operators, but our brand demands some- thing that is high quality in format, focused on the player, and thirdly, through the way it is shot, convey all that to customers. Despite our strong presence in the UK, we wanted the advert to deliver clear brand identity.


To create the advert, you began by talking to play- ers, conducting research into clubs, those who play online, specifically with Genting, and those who play with other brands - what did you learn about your brand and your audience?


Our strong feedback from the players centred around their perception of security. Genting has been a huge part of the gaming business for 50 years. We have built trust, heritage and reassur- ance, which is all part of the player experience. The advert presents the opportunity for the player to touch this brand in a physical way.


You have spoken about capturing the ‘DNA of Genting’ - what is that?


When we reference the ‘DNA of Genting’ we are talking about core values, which centre around managing players’ expectations of us. We have spent half a century managing players, both at the high-end and, with 40+ casinos in the UK, the mass market players too. Everything we do is cen- tred around player management, which includes online as its crucial to maintain a consistency of experience and recognise players wherever they play for the contribution they make. It’s about operational experience and knowledge of play.


“Genting has been part of the


business for 50 years. We have built trust, heritage and


reassurance, which is all part of the player experience. The


advert presents the opportunity for the player to touch the brand in a physical way.”


You don’t feature a comedy mascot or overplay humour in the advert - however, it does have a James Bond feel, which is something that casinos have sought to downplay for years - what’s the right balance and have you struck it?


Charlie, the player in the commercial, doesn’t wear a bow-tie or dinner jacket, and he is younger, a bit rougher around the edges. I don’t think that’s a James Bond image. For us, it’s rea- sonably simple in terms of approach; we’re talk- ing to the land-based casino player, those with the opportunity to gamble online. We are appeal- ing to the slots player who plays online tourna- ments. This is our opportunity to raise the profile of online games within the group and use as a launchpad, to encourage players in the club to go online and online players to visit the clubs.


This advert feels like a hybrid between online and land-based, can you attract players to both with one advert?


We believe so. The research group says we have an audience of online players that play in land- based, and because of the range of clubs, we have access to both ends of the marketplace. We are looking to raise awareness of Genting as an online brand with existing players and attract customers from our competitors. We think it does appeal to both types of players.


The advertising agency that created the advert talks about the “rubbish and abstract imagery associated with online gaming commercials” and the distance you have put between Genting and those brands. Was that deliberate?


No - that was not the deliberate intent, though I’m not going to sit on the fence either. I was the mar- keting director of William Hill in the past, and while it was great to work on that brand, Genting is a very different proposition and we’re con- cerned that whatever we do reflects the positives of the Genting brand.


This is an advert that looks and feels VIP - is that attractive to the mass player too?


I think one follows the other in regards to brand awareness. I think the quality of the advert, because of filmic nature, is a standout in the sec- tor, and that will hopefully raise awareness of Genting brand and the reflected glow for the land- based estate.


Is this multi-million TV ad campaign the first of many, or is it a one-off?


We are entering this on the basis of a continuous process of brand building in the UK. However, we are very early in the cycle and we will need to evaluate the impact at different points. It’s too early to comment right now.


What I’d say is that as Resorts World Birmingham launches in the UK, we are capitalising on the brand image of Genting across its 45 mass and high-end locations, exploiting that image in the online gaming sector. This advert is a deliberate attempt to make sure we appeal to every audi- ence out there.


7 9


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84