HERO PRODUCTS
“Genelec speakers are the de facto standard in the UK with good reason and we have taken them with us to our post houses in Canada and the US. They give us that parity in audio performance from one suite to the next. Genelec speakers are revealing so we can hear the issues and give us that separation we need. We have always relied on HHB as our trusted UK supplier.”
Daniel Jones, Founder, Vaudeville
HHB.co.uk |
Genelec.com
Vaudevillains (l-r) - Luke Hatfield, Kate Bronze, Daniel Jones, Lois Green & Zack Marshall BECOMING A VAUDEVILLAIN
CEO and Founder of Vaudeville Sound Group, Daniel Jones left school at 16 to study catering management. Daniel believes “managing bars and restaurants gave me the management skills too often missing in post.”
“LucidLink does exactly what it’s supposed to do. It behaves exactly as you would hope a super-fast NAS would perform on premises. But in the cloud. LucidLink has very advanced read and write protocols to manage workflow seamlessly, bypassing download and upload delays. We can securely share sessions, insert changes & updates, only uploading the bits and bytes that have changed. All our sound designers and mixers have their own write space and with permission access can see other spaces. LucidLink is a key technology enabler that underwrites our flexible post production offer.”
Luke Hatfield, Group Head of Sound, Vaudeville
LucidLink.com
vaudeville.tv
Daniel joined Evolutions post as a runner working his way up to MCR Super, but his real passion was music which he’d been mixing since the age of 14. “I was always the guy in the band mixing demos on a four-track.” The Evolutions mixer let Daniel in to use the audio suite out of hours where Daniel mixed his current band. With Evolutions move to Berners Street, they built a second audio suite. “That was a great learning curve. I put together the studios with the engineer from nothing and became a mixer. “I met Dom Joly who was directing this music-based comedy and because I was ‘musical’, I was asked if I wanted to have a go at it. It was Trigger Happy TV. It was a huge level of trust mixing what became Channel 4’s
most popular show at that time. “Under the stewardship of Carl Gardiner and Nerys Richards, I also worked with Director, Mike Christie on Jump London, a free running feature doc in 2003 “Jack Cardew and Jim Hickey asked me to
mix Dirty Sanchez, a cult MTV show, but they wanted me to do it on my own. I bought second hand kit and set up in the attic.” “Back in 2006, Twenty Twenty Television had inhouse picture post but no audio. I emptied a tape storage room, put in my desk and Pro Tools,” and added a VO booth. “I was mixing Brat Camp and Bad Lads Army and was employing other freelancers including fellow mixer, Luke Hatfield.” “That’s when I saw the light. Inhouse post managers might be fine with pictures and offline but were more than happy to hand over the audio post - a world they didn’t understand. Vaudeville Sound Group was born.”
Shaq, HBO
Maternal, ITV Studios
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