C freedom D life
E honour F
i captivity ii death vi iv
2 rich vs. poor; kind vs. unkind; happy vs. sad; bravery vs. cowardice; beauty vs. ugliness; poverty vs. wealth
Prepare to read (LB p. 50) Key focus: Pre-reading and during
Learners work as a class group.
Suggested answers 1 Learners have to identify two themes that the play deals with so far.
2 Learners now have to look for more proof of these themes in their reading.
Read and respond (LB p. 51)
Key focus: Explain plot, setting and characterisation
Suggested answers
1 from school 2 she scatters corn and she waits; feeding the birds and waiting for her grandmother
3 anticipation 4 she has been to the city to sell her doves 5 Lindi was at school 6 She smiles and jumps up and runs to meet Grandmother Maloko
7 relief (Smiles, hugs Lindi and sits down with relief.)
8 Gogo does not tell Lindi the good news from the start. She gives her bits of information and builds up the tension to the good news
9 elation; very happy; overjoyed 10 theme of achieving success/resolving their problem; the fact that the doves have been sold and ordered is a confirmation of this and it brings joy.
Dialogue transformation Change the format of a dialogue
(LB p. 52) Key focus: Adapting text to a dialogue 71 Mood/tone
Learners work in groups.
Suggested answers 1 Learners need to convert the story, A shady deal on page 44 of the LB into a dialogue by using dialogue format.
2 Play-format is used for plays where the characters on stage will bring life to the characters. Narrative with direct speech is used for dramatic effect in writing for us to visualise what characters are doing.
Whatʼs your dialogue? Plan a dialogue (LB p. 53)
Key focus: Plan a dialogue Learners work individually.
Suggested answers 1
Setting Characters Conflict (problem)
A country road leading through farmland; shady tree on the side of the road Effendi; landowner
Effendi wants to rest under the shade of the tree, but the landowner refuses to give him permission unless he pays to do so
Sombre; depressing
2 Learners need to use the above to conceptualise their own dialogue within different settings and with their own characters.
3 Learners plan their writing in a grid like above. 4 Learners need to think of tone and register of their characters.
5 Learners need to consider stage direction in their dialogue.
Write your dialogue Write and edit a dialogue
(LB p. 54)
Key focus: Write and edit a dialogue Learners work individually.
Suggested answers 1 Learners provide a rough draft of their dialogue.
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60 |
Page 61 |
Page 62 |
Page 63 |
Page 64 |
Page 65 |
Page 66 |
Page 67 |
Page 68 |
Page 69 |
Page 70 |
Page 71 |
Page 72 |
Page 73 |
Page 74 |
Page 75 |
Page 76 |
Page 77 |
Page 78 |
Page 79 |
Page 80 |
Page 81 |
Page 82 |
Page 83 |
Page 84 |
Page 85