search.noResults

search.searching

dataCollection.invalidEmail
note.createNoteMessage

search.noResults

search.searching

orderForm.title

orderForm.productCode
orderForm.description
orderForm.quantity
orderForm.itemPrice
orderForm.price
orderForm.totalPrice
orderForm.deliveryDetails.billingAddress
orderForm.deliveryDetails.deliveryAddress
orderForm.noItems
HOTELS WITH HISTORY ❘ CULTURE


This page, clockwise from this image: The Hôtel


Lutetia, where James Joyce and Albert Cohen both


worked; l’Hôtel, on rue des Beaux-Arts, where you can


stay in the Oscar Wilde suite; the bar at the Monte Cristo; (inset) peacock wallpaper in the Oscar Wilde suite


of coastline as her glamorous summertime playground, the Hôtel du Palais was already making political history. This was the first location outside the UK ever to see a British prime minister appointed within its walls. King Edward VII had a discreet meeting here with H.H. Asquith for this very reason. It was a meeting so shrouded in secrecy that not a single journalist knew of their whereabouts.


Initially built to be a summer villa for Napoleon III and the empress Eugénie, it was sold in 1880 and converted into a hotel. Despite mockery from the media, then a closure during the First World War for the building to be used as a hospital, the local mayor refused to give up on the building, and later launched a campaign under the hilariously blunt and straightforward slogan: “No Palace, No Millionaires”. When it finally reopened, Coco Chanel and other prestigious guests, such as Frank Sinatra and Jayne Mansfield, passed through its doors and its glorious reputation was restored.


Back in Paris, heroes of the literary world made history too. The Hôtel du Petit Moulin was once a bakery, which Victor Hugo would visit each morning for his daily baguette, and the original 1800s façade spelling out its status as a boulangerie is still intact.


“PARIS IS HOME NOT JUST TO THE FAMOUS, BUT ALSO TO THE INFAMOUS, AND IN 1911 THE HÔTEL DA VINCI WAS INVOLVED IN AN ART HEIST”


Sister hotel the Pavillon de la Reine, a 10-minute walk away, was once home to Hugo too, hence the suite named in his honour.


Elsewhere, the Hôtel Monte Cristo acts as an historical recreation of the world of the well-travelled Alexandre Dumas. Pick up a paperback copy of The Count of Monte Cristo and relive the 1800s, albeit in the comfort of a sumptuously modern bar decorated with Oriental wallpaper complete with mosaic-style peacock prints, before heading to the best peacock- embossed interior of all: the Jacques Garcia- decorated Oscar Wilde suite at L’Hôtel on rue des Beaux-Arts. If you’d like to, you can even sleep in the very room where Wilde died.


Then there is the Hôtel Lutetia, where James Joyce


penned Ulysses and Albert Cohen created Belle du Seigneur. And then there is Le Scribe, the location that hosted the world’s first ever motion picture, courtesy of the Lumière brothers. Yet Paris is home not just to the famous, but also to the infamous. In 1911, the Hôtel Da Vinci was involved in one of the world’s biggest ever art heists. Leonardo’s much-treasured Mona Lisa was seized by career criminal Vincenzo Peruggia, an Italian ostensibly looking to reclaim his countryman’s artwork on behalf of the homeland. According to Peruggia, the painting


❯❯ Apr/May 2020 FRANCE TODAY ❘ 95


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95  |  Page 96  |  Page 97  |  Page 98  |  Page 99  |  Page 100  |  Page 101  |  Page 102  |  Page 103  |  Page 104  |  Page 105  |  Page 106  |  Page 107  |  Page 108  |  Page 109  |  Page 110  |  Page 111  |  Page 112  |  Page 113  |  Page 114  |  Page 115  |  Page 116  |  Page 117  |  Page 118  |  Page 119  |  Page 120  |  Page 121  |  Page 122  |  Page 123  |  Page 124  |  Page 125  |  Page 126  |  Page 127  |  Page 128  |  Page 129  |  Page 130  |  Page 131  |  Page 132  |  Page 133  |  Page 134  |  Page 135  |  Page 136  |  Page 137  |  Page 138  |  Page 139  |  Page 140  |  Page 141  |  Page 142  |  Page 143  |  Page 144  |  Page 145  |  Page 146  |  Page 147  |  Page 148