LA CULTURE ❘ ART & MUSEUMS LA CULTURE
From fashion to Impressionism, art writer Sylvia Davis selects the newest and most intriguing exhibitions and collections to visit right now
5 EXHIBITION CÉZANNE AND THE ITALIANS
Paul Cézanne's painting of Mont Sainte-Victoire Seen from Bellevue, circa1885
Although Cézanne never visited Italy, he was strongly influenced from the outset by its artists. He didn’t copy their work, though: on the contrary, he studied the art displayed in museums, studied the compositions and brushstrokes of the painters, and captured the spirit of the paintings to create his own unique contemporary interpretation. Referring to the classical equilibrium found in his work, Cézanne said: “I wanted to make of Impressionism something solid and lasting like the art found in museums.” In a major effort to bring perspective to this internal dialogue, the delightful Musée Marmottan Monet brings us ‘Cézanne and the Master Painters: a Dream of Italy’, exceptionally supported by 43 lenders including 60 paintings loaned by private collections, as well as French, Canadian, American, Swiss, German, Scottish, Spanish, Japanese, and Italian museums.
The exhibition unites a remarkable selection of works by Cézanne, including the iconic Mont Sainte-Victoire and the splendid pastoral and still lifes, complemented by a rare ensemble of ancient paintings executed by Tintoretto, Bassano, El Greco, Giordano, Poussin, Rosa, and Munari; with the modern painters represented by Boccioni, Carrà, Rosai, Sironi, Soffici, Pirandello, and Morandi. This extraordinary grouping serves not only to shine a light on the influence of the Italian style of different periods in the works of Cézanne’s art but also in reverse to illustrate the influence of the French artists on the Novecento painters. Until July 5
www.marmottan.fr
POETRY IN MOTION
Lille Métropole Museum of Modern, Contemporary and Outsider Art is hosting a major retrospective devoted to William Kentridge, the first exhibition on this scale commissioned by a French museum. Entitled 'A Poem that is Not Our Own', it has been designed in close collaboration with the artist and will include previously unseen works by the South African artist. July 5
www.musee-lam.fr
22 ❘ FRANCE TODAY Apr/May 2020
1 2
3
4 5
MUST-SEE EXHIBITIONS
A pick of stand-out events in Paris this spring.
The Danish Golden Age The Petit Palais presents an ambitious look at the finest hours of Danish painting from 1800 to 1864 in an exhibition which includes over 200 works by
leading artists of the period. April 28 until August 16
www.petitpalais.paris.fr
Painters of the Afterlife 'Spirit, Are You There?' explores the works of Augustin Lesage, Victor Simon and Fleury-Joseph Crépin, who, from backgrounds as miners or plumbers, came to art when mysterious “voices” urged them to paint.
April 2 to July 26
www.museemaillol.com
Turner's Watercolours The Jacquemart-André Museum presents a major retrospective of Turner’s paintings and watercolours, following the artist’s evolution from conventional landscapes to his command of
light and colour. Until July 20
musee-jacquemart-andre.com
Matisse at the Pompidou The Centre Pompidou pays tribute to the 150th anniversary of the birth of Henri Matisse, with an exhibition of works that explore the text and image
relationship within his works. May 13 until August 31
www.centrepompidou.fr
Tissot at Orsay This retrospective of French artist James Tissot presents his explorations of mystical subjects, as well as his depiction of Parisian style in the second half of the
19th century. Until July 19
www.musee-orsay.fr
IMAGE © SMK, MUSÉE D'ORSAY, LAM
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60 |
Page 61 |
Page 62 |
Page 63 |
Page 64 |
Page 65 |
Page 66 |
Page 67 |
Page 68 |
Page 69 |
Page 70 |
Page 71 |
Page 72 |
Page 73 |
Page 74 |
Page 75 |
Page 76 |
Page 77 |
Page 78 |
Page 79 |
Page 80 |
Page 81 |
Page 82 |
Page 83 |
Page 84 |
Page 85 |
Page 86 |
Page 87 |
Page 88 |
Page 89 |
Page 90 |
Page 91 |
Page 92 |
Page 93 |
Page 94 |
Page 95 |
Page 96 |
Page 97 |
Page 98 |
Page 99 |
Page 100 |
Page 101 |
Page 102 |
Page 103 |
Page 104 |
Page 105 |
Page 106 |
Page 107 |
Page 108 |
Page 109 |
Page 110 |
Page 111 |
Page 112 |
Page 113 |
Page 114 |
Page 115 |
Page 116 |
Page 117 |
Page 118 |
Page 119 |
Page 120 |
Page 121 |
Page 122 |
Page 123 |
Page 124 |
Page 125 |
Page 126 |
Page 127 |
Page 128 |
Page 129 |
Page 130 |
Page 131 |
Page 132 |
Page 133 |
Page 134 |
Page 135 |
Page 136 |
Page 137 |
Page 138 |
Page 139 |
Page 140 |
Page 141 |
Page 142 |
Page 143 |
Page 144 |
Page 145 |
Page 146 |
Page 147 |
Page 148