NEW WORK
POST
THE FARM SURVIVING PARADISE
The Farm Bristol was behind UHD HDR picture post on Wild Space Productions’ Netflix natural history series, Surviving Paradise: A Family Tale. Farm Colourist, Dan Gill graded the film in ACES for HDR on Nucoda. James Beynon completed the Online using Resolve. Post producer was Tana Beynon.
RASCAL POST FORMULA E - NO TURNING BACK
Formula E’s No Turning Back spot’s racetrack scenes were completely CGI with track, barriers, cars and drivers all built and animated using Unreal Engine. Rascal VFX was led by Andrew “Barnsley” Wood and Russell Tickner. The grade was done by James Bamford and produced by James Beck.
REALTIME A DISCOVERY OF WITCHES S3
CGI studio Realtime re-joined Bad Wolf for the third season of Sky
TV’s A Discovery of Witches, helping to bring to life magic performed
by central character Diana Bishop (Teresa Palmer). The team was tasked with creating VFX that
showcase how much Diana’s powers have developed.
GOODBYE KANSAS ALEX RIDER S2
Following its work on the first season of Alex Rider, Goodbye Kansas Studios delivered 215 shots and 12 assets for S2 of the action thriller series based on the Anthony Horowitz novels. Goodbye Kansas was the primary VFX vendor. VFX super was Jim Parsons, CGI super was James Sutton.
Spring 2022
televisual.com 09
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