SURVEY


COMMERCIALS 30 BEST IN SHOW


Childline Nobody is Normal by Blink/Rowdy


Meta The Tiger and the Buffalo by Object & Animal


editors for Final Cut’s Joe Guest. Guest was behind the cut of our most fancied commercial of the year, Burberry’s Open Spaces directed by Riff Raff’s Megaforce (after editing last year’s top spot for Burberry, Festive). He was also the editor on ads including Pulse director Sam Walker’s Formula E No Turning Back spot In second place this time on


I


our top editors list is Paul Watts of The Quarry whose recent notable work includes Skate Nation Ghana for Meta directed by Bafic, Elliott Power and Justyna Obasi. At third this year is Eve Ashwell from The Assembly Rooms, up from


t’s another year in the number one spot in our poll of commercials producers’ favourite


sixth last year, who was behind the cut on McDonalds Christmas spot, Imaginary Iggy, directed by Bert and Bertie of Object and Animal. Also in at third place is Trim’s


Tom Lindsay, the editor behind work including Kim Gehrig’s New York Times spot, Life Needs Truth. Sharing fifth is Trim’s Elise Butt


(Nike: Play New: The Land of New Football directed by Stink’s Felix Brady); Trim stablemate Paul Hardcastle (Prom for Amazon Alexa directed by Park Pictures’ Lance Acord) and Rich Orrick of Work Editorial (Expedia Stuff helmed by Park Pictures’ Acord). Four editors share eighth -


Final Cut’s Amanda James, Zed’s Dominic Leung, Tenthree’s Ellie Johnson and Leo King at Stitch.


favourite colourists for Jean- Clément Soret. Soret left his post as MPC Global Creative Director of Colour Grading to join Company 3 at the end of last year and in amongst his commercials work like Smith & Jones director Ulf Johansson’s Breakthrough for Leia, Soret has also had notable success with his long form work including a Bafta for His Dark Materials and movie work including The Mauritanian. Luke Morrison at Electric


A


Theatre Collective moves up to second spot in our top colourists poll after placing sixth last time. Notable spots for Morrison include


nd it’s yet another year at the top of our poll of commercials producers’


Object and Animal director Andrew Thomas Huang’s trippy The Tiger and the Buffalo for Meta, Caviar director Los Perez’s post-lockdown Get Smooth Again for Klarna featuring A$AP Rocky and Deutsche Telekom Project Futureproof directed by Somesuch’s Rollo Jackson. In at third spot in the poll again


is Black Kite’s George K whose recent work takes in Channel 4’s Altogether Different campaign directed by Alex Boutell through 4Creative. Four colourists take the fourth


spot this time. Absolute’s Matt Turner, Richard Fearon of Black Kite, Simon Bourne at Company 3 (previously Framestore) and Time Based Arts’ Simone Grattarola.


BEST EDITORS TOP 10


01 02 03= 03= 05= 05= 05= 08= 08= 08= 08=


Joe Guest Final Cut Paul Watts The Quarry Eve Ashwell The Assembly Rooms Tom Lindsay Trim Elise Butt Trim Paul Hardcastle Trim Rich Orrick Work Amanda James Final Cut Dominic Leung Zed Ellie Johnson Tenthree Leo King Stitch


01 02 03 04= 04= 04= 04= 08 09= 09= 09= 09= 09=


Spring 2022 C09


BEST COLOURISTS TOP 10


Jean-Clément Soret Company 3 Luke Morrison ETC George K Black Kite Studios Matt Turner Absolute Rich Fearon Black Kite Studios Simon Bourne Company 3 Simone Grattarola Time Based Arts Matthieu Toullet The Mill James Bamford Rascal Simona Cristea Coffee & TV Alex Gregory No.8 Paul Harrison Residence Pictures Jason Wallis ETC


Commercials 30


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95  |  Page 96  |  Page 97  |  Page 98  |  Page 99  |  Page 100  |  Page 101  |  Page 102  |  Page 103  |  Page 104  |  Page 105  |  Page 106  |  Page 107  |  Page 108  |  Page 109  |  Page 110  |  Page 111  |  Page 112  |  Page 113  |  Page 114  |  Page 115  |  Page 116  |  Page 117  |  Page 118  |  Page 119  |  Page 120  |  Page 121  |  Page 122  |  Page 123  |  Page 124  |  Page 125  |  Page 126  |  Page 127  |  Page 128  |  Page 129  |  Page 130  |  Page 131  |  Page 132