search.noResults

search.searching

saml.title
dataCollection.invalidEmail
note.createNoteMessage

search.noResults

search.searching

orderForm.title

orderForm.productCode
orderForm.description
orderForm.quantity
orderForm.itemPrice
orderForm.price
orderForm.totalPrice
orderForm.deliveryDetails.billingAddress
orderForm.deliveryDetails.deliveryAddress
orderForm.noItems
POST BUILDS FOR DRAMA


POST


(full post), Help (Foley, ADR mix, and hosting guest Re-Recording Mixer Niv Adiri), Trigger Point (full final post), Rules of the Game (Offline and full final post), The Chelsea Detective (full final post) and series two of The Witcher (foley). The company has launched The Jack Cardiff


Theatre, which according to Woolfson is the largest Dolby ATMOS and 4K HDR theatre in London. “This room is a destination for mixers, directors and colourists working on high-end dramas and film,” he adds. Supplementing this are two new ATMOS HE


rooms with 4K projection designed for drama and feature film clients. “We have increased our ATMOS Home Entertainment capacity with five of our theatres now ATMOS capable,” says Woolfson. “We have also built two world-class record rooms which have been designed specifically for foley.” Molinare also has two theatres set aside for ADR


recordings and more record rooms for COVID- friendly crowd sessions. “We have created a dailies department and have


expanded/upgraded our Flame and Baselight estate on the picture side and added to our HDR capability,”


says Woolfson. “We currently have seven Flame suites and five Baselight suites/theatres. Also in London, The Ipcress File benefitted from


recent and ongoing investment at Lipsync Post. “We upgraded our Flames to the latest version,


purchased a Dolby Vision licence, and bought the latest versions of Clipster and Vidchecker,” says Peter Vaughan, assistant development producer. “We invested in a 4K projector, an additional Sony X310 monitor, and have Dolby HE Atmos in both theatres.” Further west, Gorilla TV has neared completion of


a new facility in Bristol. “It will add capacity for more scripted work in Wales and the West [of England],” says Rich Moss, managing director. “We have also


“We don’t see any decrease in demand. Quality requirements will always increase, new developments will always mean new tech and Cap-Ex”


Bottom left: Killing Eve season 4 BBC


Bottom right: The Ipcress File ITV


Spring 2022 televisual.com


87


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95  |  Page 96  |  Page 97  |  Page 98  |  Page 99  |  Page 100  |  Page 101  |  Page 102  |  Page 103  |  Page 104  |  Page 105  |  Page 106  |  Page 107  |  Page 108  |  Page 109  |  Page 110  |  Page 111  |  Page 112  |  Page 113  |  Page 114  |  Page 115  |  Page 116  |  Page 117  |  Page 118  |  Page 119  |  Page 120  |  Page 121  |  Page 122  |  Page 123  |  Page 124  |  Page 125  |  Page 126  |  Page 127  |  Page 128  |  Page 129  |  Page 130  |  Page 131  |  Page 132