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4D FLEX DELIVERS DETACHABLE DESIGN DJI
BY DAVID FOX
The latest version of the Ronin 4D four-axis stabilised cinema camera boasts a detachable design, with LiDAR focusing and wireless transmission. The Ronin 4D Flex is an extendable system that DJI claims offers more fl exible, effi cient and creative camera movement. It reduces the handheld weight down to 1.8kg, about one-third of the original weight, making it useful for long-duration shooting, especially in mobile scenarios.
The 2m gimbal camera extension cable enables through-shots and movements in narrow spaces such as car interiors. It also allows the X9 gimbal camera to be used as an ultra-small cinematic- grade remote head. Switching between Flex and the integrated confi guration on set is fast, with no tools required. The Ronin 4D Flex is an £829/€949 addition to the £5659/€6599 DJI Ronin 4D. Ronin 4D uses Zenmuse X9,
DJI’s fl agship full-frame camera, alongside its latest image processing system, CineCore 3.0. This utilises DJI’s proprietary chip to provide advanced processor
architecture and allows Ronin 4D to support internal recording of Apple ProRes Raw, ProRes 4444 XQ, ProRes 422 HQ, ProRes 422 LT and H.264 video.
ON BRAND FOR BETTER AUDIENCE RETENTION Vizrt BY DAVID FOX
Viz Channel Branding, which replaces Viz Multichannel, is a new automated channel branding and promo system that boasts greater control, stability and visibility.
It aims to help broadcasters build a strong and recognisable brand, to better retain audiences across all linear and on- demand outputs. On-screen branding events are dynamically built using metadata, rules
Brand new: Viz Channel Branding dynamically builds scalable branding
and conditions, while tight integration with traffi c and automation systems should ensure frame accurate and
correct playout regardless of changes to programming. The system’s new Channel Deck gives operators confi dence that
Cable news: DJI’s 8K Ronin 4D with the 4D Flex extension unit
It also supports up to 8K/75fps and 4K/120fps video recording and delivers 14+ stops dynamic range. 12.C57
branding is being played out correctly and on time through a dedicated window. It provides complete visibility across any number of channels, showing the planned branding and the result. The new user interface aims to make it easy for both existing and new users to navigate the system. Features include seamless failover to a redundant system as well as enhanced stability and advanced API integration with third-party playout automation systems. 10.A41
POV STREAMING CAMS BENEFIT FROM NDI AND SENSOR BOOST Marshall Electronics BY ADRIAN PENNINGTON
Four new POV cameras, all featuring low-latency NDI|HX3 streaming as well as standard IP (HEVC) encoding and simultaneous HDMI output, are on show at the Marshall stand.
The CV570 miniature and CV370 compact NDI|HX3 cameras both contain a new Sony sensor with larger pixels and square pixel array, and offer resolutions of 1920x1080p, 1920x1080i and 1280x720p. The cameras are
designed with interchangeable lenses, multiple broadcast and pro-AV frame rates, remote adjustability, and durable bodies made of lightweight aluminium. The step-up CV574 miniature and CV374 NDI|HX3 cameras contain the same features, but with a new Sony 4K sensor. All four cameras can be set to NDI|HX3, and NDI|HX2, as well as standard IP with SRT and other common streaming codec settings, with a simultaneous HDMI output for traditional processing or switching equipment.
The CV570 (HD) and CV574 (UHD)
The POV cameras feature either a built-in M12 mount or CS/C lens mount
use a miniature (2x2x3.5in) M12 lens mount built into the body. The CV370 (HD) and CV374 (UHD) offer a slightly larger aluminium
alloy body with CS/C lens mount recommended for longer throws and longer focal length lenses. 2.A47
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