Music Everywhere The Rock and Roll Roots of a Small Southern Town Marty Jourard (University Press of Florida)
I have had the
same argument with various and sundry self-proclaimed musi- cologists for well over
20 years now. When discussing the niche sub- category known as Southern Rock, I always list Tom Petty as a member. Of course, nine out of ten disagree with me, some of them quite passionately. He is a Los Angeles rocker! They might say. Or the Heartbreak- ers are a California band!Well, it depends on your perspective. Tom Petty came from Gainsville, Florida. Before he had the Heart- breakers, he was in a decidedly Southern Rock band called Mudcrunch. Perhaps these friends and colleagues simply need to read Music Everywhere. I did, and I thoroughly
Look for the New Issue of KUDZOO on
September 1st !
• Surprise Superstar Interview! • Southern Rock Hall of Fame • Silver Travis Band • Justin McCorkle
• Phoenix Comic Con • Much, Much More!
enjoyed it. The modest southern town of
Gainesville not only gave us Mr. Petty, but a plethora of other musical greats emerged from the Florida town during toe ten-year pe- riod between 1965-1975. The “golden decade” of Gainesville music. Author Marty Jourard, who I inciden-
tally loved as a member of the ‘80s new wave band the Motels, lived in Gainesville between 1958 and 1976. But during the golden decade, he played in a band called Road Turkey and frequently shared the stage with Mudcrutch. It was a formative time for the counter-
culture in Gainesville that would yield several Rock and Roll Hall of Famers, among them Petty, Stephen Stills, and both Don Felder and Bernie Leadon of the Eagles. The town was filled with young musicians who played at frat parties, topless clubs and hole in the wall bars, and hung out on Saturday at Lipham’s Music Store. According to the author, Gainesville be-
came a mecca for music mostly because of the cities staunch support of the music. Unfortu- nately, the same cannot be said about many a southern town. The players who grew up there, or chose to move there, were all about learning the craft and playing well. No grand- standing or overblown theatrics, just damned good music. I was really happy to see the appendix
where the author lists Gainesville concerts by both national and local acts, including Louis Armstrong, Bob Dylan, Mudcrunch and ad- mittedly my favorite, The Allman Brothers Band, who, as a side note, purchased the bulk of their musical equipment at Lipham Music in Gainesville. All in all, Music Everywhere is a highly
entertaining, well written, look at a city that played a major role in the history of rock and roll music. Kudos to Marty Jourard on a book of historical importance.
-Michael Buffalo Smith •
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60 |
Page 61 |
Page 62 |
Page 63 |
Page 64 |
Page 65 |
Page 66 |
Page 67 |
Page 68 |
Page 69 |
Page 70 |
Page 71 |
Page 72 |
Page 73 |
Page 74 |
Page 75 |
Page 76 |
Page 77 |
Page 78 |
Page 79 |
Page 80 |
Page 81 |
Page 82 |
Page 83 |
Page 84