This page contains a Flash digital edition of a book.
INTERVIEW

Promotions past

Promotional freebies from days gone by can sometimes turn into sought after collectables – as a museum in London’s Notting Hill demonstrates. Sara McDonnell talks to the man whose passion for collecting everyday goods now charts the history of the brand

I

n 1963 a pack of Munchies was bought by a sixteen-year-old boy at Inverness railway station in Scotland. Little did anyone know that this

would be the start of what is now an important cultural collection representing Britain’s consumer society in the 20th century. In the 46 years since that humble purchase, Robert Opie has acquired more than half a million items, from cereal boxes to cigarette packs, all of which show how household brands have evolved into the familiar and sometimes evocative images which surround us today. Some of the collection is now on display at the Museum of Brands, Packaging and Advertising, in a mews just off Portabello Road in London’s Notting Hill. The museum is an Aladdin’s cave of well-recognised brands and 20th century ephemera. It makes fascinating viewing for anyone with a memory of growing up in Britain, as the brands featured are, and have been, so commonplace that they are quite possibly indelibly etched onto the British psyche. Stalwart giants such as Kelloggs and Cadbury are represented through the decades alongside those which came and went (Quatro, Spangles, etc). And yet the packs that carry these brands are so transient that the normal life expectancy of many of the exhibits could only have been a matter of weeks. Now, however, these items have become part of history and have all been lovingly categorised and placed, mainly chronologically, in glass displays. While the museum shows how packaging and advertising were both intrinsic in building up a brand’s visibility (there are particularly interesting examples of how Johnsons’s baby powder’s logo developed and how Cadbury chocolate acquired its association with the colour purple), it also features

| 66 | April 2010

many different promotional freebies and how they were used to tempt consumers. Where, then, does the owner of this vast collection see the beginnings of the promotional freebie in consumer goods? I ask Robert Opie this question as he shows me around the exhibition. “Back in the 1890s, with cigarette cards,” he says, pointing to a display of vintage Ogdens, Player and Wills cigarette packets. “Some packs back then were quite flimsy, so a card was required to stiffen the pack. These cards would originally have had adverts for the cigarettes printed on them, but they soon evolved into themed sets which everyone wanted to save – and then tried to complete the set, with a picture on one side and information on the other. Themes would vary widely from film stars and football players to butterflies or flowers. They were really quite a sophisticated promotional idea for its time,” he continues. “This was an age before such

information would have been widely available.” After talking to the owner of this extensive collection for just a few minutes, it becomes clear that Opie’s knowledge of brands, ad campaigns and promotional items is encyclopedic. When I admit ignorance of a particular ad campaign, he jokes, rather kindly, “you haven’t lived, have you?” He can often pin a particular marketing campaign to a year, or at least a decade, even those more than a century ago. As we walk around the exhibits, he points at things, such as a cabinet devoted to the ’66 World Cup, and explains, “that was the first time a World Cup event had a mascot”. When we pass some small cereal packets, I ask him when the mini boxes of cereal were first introduced, and he tells me that they were first in the US as early as 1938. “In 1958 the variety pack was introduced into the UK - they were packs of six originally, rather than the eight that you see today.” With so many different

promotional items having been offered over the years since then, I wonder which have really stood out for Opie. It seems that the petrol companies have come up trumps on this one. He describes the Tiger in Your

Tank campaign from Esso in 1963 –

www.printwearandpromotion.co.uk Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80
Produced with Yudu - www.yudu.com